by Part-Timer » Nov 6th, '06, 01:48
Warning: Very lengthy review ahead.
The Effect
This is a complete mentalism show, using only items that were found, or which cost less than $10…with one exception (kind of). The individual effects are detailed in the Review section below.
Cost
Depends where you go, but UK suppliers seem to be charging a fair bit for it. £74.99 is the price at Alakazam, for example. Top Secret Magic is selling it for £70. It may be cheapest to get one sent from the USA.
Difficulty
(1=easy to do, 2=No sleights, but not so easy, 3=Some sleights used,
4=Advanced sleights used, 5=Suitable for experienced magicians only)
Depending on how you present these things, anything from 1 to 5, although the difficulty may be in presenting the effects to their fullest; there is very little in the way of 'moves'.
Review
There are lots of different bits to this DVD, so I'll try and put them in a vaguely sensible order. First, the effects and my comments on them:
Disposable Color
Anyone who has 'Prism' will know this one. There's some very interesting material in the explanations section. As with a lot of this DVD set, the things discussed have wider implications than for just one effect. I could certainly think of one way Max could have got a better chance with this, but he handled it in his own way. I am not saying my way is right, just different!
The Nile Derivation
This is one of the routines I liked best. I knew, or guessed, the basics, but there are some excellent handling tips included. An audience member is asked to select a number and write it down where no one can see what is being put. The performer then asks various people in the audience to give him single digits. After he's collected several of these, he stops and asks someone to add up the digits to produce a total. This matches the number selected by the first person.
Synchrostic
Two watches are borrowed from audience members. The performer and a participant from the audience each set a time on one of the watches, behind their backs. Each looks at one watch and notes the time, then turns the stem to hide this. The performer and the spectator write down the times they saw. They match.
Well, that's the theory. In fact, this bit went wrong, and Max had to 'massage' the result. The method is likely to be fairly obvious to anyone who knows a reasonable amount about mentalism. I can't say I cared too much for this. The procedure involved came across as a bit arbitrary and unnecessarily complicated to me, especially compared with some other similar effects.
Astrologous
This was probably my favourite piece. The performer produces some plastic chips (like counters for a game), each of which has a sign of the Zodiac on it. A person in the audience is asked to assist but to remain in her seat. A different member of the audience is asked to join the performer on stage. The helper 'shuffles' the chips and hands them to the performer (behind the latter's back). The performer (still with hands behind his back) gets the participant to take a chip. The helper seated in the audience is asked for her sign. It matches the chip taken by the second spectator.
I thought this was great. I loved the premise and the method. If one wished, the revelation could then be linked into a little astrological reading.
Just Chintz
This is a bonus routine involving a 'Just Chance' sort of plot, with people from the audience having chances to pick a prize at random. As usual, they end up with nothing (although Max's clever version pretends otherwise) and the performer is left with the valuable item. Two methods are given for this.
I thought this was a nice routine. I knew the method, but managed to forget I knew as I watched! There's a lot of humour involved and it's helpful to hear Max's views on the 'Just Chance'/'Bank Night' plot. I fear that there might be a rash of people trying to do this in his style, which is probably not a good idea.
Psychometier
As you might guess, this is a psychometry routine. A pack of five envelopes is opened and five audience members are given one each and instructed to put a personal item inside. The envelopes are collected by a sixth person from the audience, who mixes them, before returning the envelopes to the mentalist. The performer then associates each item with the person who gave it.
This is similar to many other effects, but it's good to see how this is handled in practice. Routines like this have been around for ages. Max's ending is good, although I'm not sure psychometry is really my cup of tea.
Para-Sight
Max hands a few different magazines to a spectator. One is chosen and a page selected at random, one digit at a time. He asks the audience member to concentrate on the main picture on the page and, little by little, reveals the details.
Well, this is the famous Para-Sight. I have to say that I was a little disappointed with the basic effect. It's good, don't get me wrong, but after reports of the manuscript for this going for $80 I was expecting a bit more. Part of the method seemed extremely obvious to me and I wasn't happy that it would necessarily sail past an audience. I might be a little overly cautious. Other bits of the method were handled so smoothly I really didn't notice them at all. It has implications for any other book or magazine test you may wish to do.
But wait, there's more!
As well as a basic performance and a full one (the latter of which includes the bonus effect), there is also a 'hidden' (sort of) version of the full performance with Max doing commentary. This is extremely useful as an insight into why certain things went the way they did, coping and management strategies and various other practical issues. The aim was to film the show in one run, with no retakes. In this version you also get to see Max's initial words to the audience, where he asks them not to overdo reactions. I found this version of the show fascinating and well worth viewing, if you wish to perform any kind of mentalism, or any other kind of magic where you deal with an audience a lot.
I feel I should say something about some comments made elsewhere that Max handles the audience badly. It's true that occasionally he chooses someone I would have avoided and that this comes back to bite him. However, witnessing him handle the people who don't notice things properly, don't follow instructions, or who can't add up right is extremely useful. I am of the opinion that seeing ways of dealing with potential problems can be more useful than seeing a flawless show that was actually filmed three times to make sure everything worked.
Max states that he likes to have some risk in his shows and I think this is evident from the performance.
So, yes, it could have been smoother, but from my perspective, this DVD is a lot more useful for the fact that things didn't go absolutely to plan.
The explanations are interesting. Max has a symposium of performers assembled, with whom he discusses the effects. However, apart from Eugene Burger, no one says much, largely because Max has prepared his notes so well there isn't much else to say!
Max goes into the history of each effect as well as lots of detail on the method and performance. I love this stuff, but for those of you who only care about the methods, it might be a bore. I am not a history nut, by the way, but I appreciate hearing background to an effect, because that can often help you put it into perspective and may even suggest variations or ways of tailoring it to your personality.
There is also a fairly lengthy interview/discussion between Max and Michael Weber. Again, this was fascinating to me. The interview gives a great deal of insight into Max's views on the art, including his take on the history of mentalism. I especially agreed with his comments about mentalism performers who try to do mind reading, telekinesis, medium effects and predictions all in one act. It's not a new point, but it's well made.
Max also makes some comments that apply to magic in general, such as working environments for performers.
Oh yes. There are some 'Easter eggs' too. Nothing amazing, however.
Overall
I liked it. It's not the jaw-dropping experience I hoped it would be, but I have no regrets about buying this. If you want absolutely brain-frying, brand new tricks to fool people at the magic club, quick-fix solutions or, even worse, an act you can just lift and do yourself, you might want to look elsewhere. Also, if you are a very experienced performer, you might not gain much.
If, on the other hand, you like to consider your magic, where it's going and what you and your act are saying, this could be very useful to you.
Obviously, it's mainly of interest to mentalists, but there's stuff in the interview and the discussions for other magical performers. The price tag probably doesn't really justify the DVD's purchase by non-mentalists, though.
9/10 if you are a mentalist, or would-be mentalist who likes to think about things and wants ideas about performance, stagecraft and structure.
7/10 if you are a mentalist who is fairly new and looking for material and would find the discussions useful. I feel that the price tag, combined with the nature and number of effects makes this DVD set less useful to that type of performer than, say, volume 1 of Richard Osterlind's DVD series.
5/10 if you are looking for the latest must-have killer mental effects and you don't give a damn about all that 'boring' chat, or if you are already a very experienced mentalist, in which case the effects and the background information are unlikely to be of use.