by voidster » Oct 31st, '08, 07:52
The Book: Hiding the Elephant - How Magicians Invented the Impossible and Learned to Disappear by Jim Steinmeyer
Cost: Variable - US$12 through Amazon (paperback)
Review: As a relative novice to the art of magic (and I haven't posted on this board for about two years!), I was not familiar with Mr Steinmeyer. I now know that he has designed and created illusions for many of today's best known performers.
The book is essentially a history of stage magic from the mid 1800s to the first half of the twentieth century with particular focus on many of the magicians from those times (including Robert-Houdin, the Davenport brothers, Harry Kellar, Devant, Charles Morritt, Howard Thurston, the Maskelynes and of course Houdini), the illusions they performed.
While Mr Steinmeyer reveals many of the secrets of these great illusions, I do not regard the book as a tell all type affair. Indeed, in the case of the disappearing elephant of the title and the disappearing donkey illusion created by Morritt, Mr Steinmeyer proposes his own theories on how these illusions worked.
There is a very strong focus on the development of the use of mirrors and opticals - the technical aspects of the illusion - as well the art of presenting magic and illusions effectively and convincingly. I was not familiar with Robert-Houdin's quote to the effect that a conjuror is not a juggler but an actor playing a magician - how true that is and it has made me re-evaluate how I perform my ham fisted efforts! He makes the very telling point that when Houdini performed the disappearing elephant illusion, audiences were non-plussed becaused his presentation was so poor (Mr Steinmeyer notes that Houdini was not a very good magician!).
Mr Steinmeyer is also very good at documenting the rivalry between many of these classic magicians and paints very vivid pictures of their characters, personalities as well what they were like in performance.
There are no doubt many better reviews available on the 'net but I would highly recommend this book to all magicians. The technical aspects are very interesting but to me the strength of this book is in the pure history of the developments of the illusions, the magicians involved as well the power behind those thrones, so to speak - for example, illusion creators like Guy Jarrett.
Although I mess around with cards, sponge balls etc and close up stuff, I found that reading this book helped me to rethink the way I approach and perform the magic that I enjoy doing.
Highly recommended!