by Michael Jay » Nov 17th, '07, 01:16
If the props are worth the money paid, then that comes out in the review. That being the case, knowing that there are certain techniques that are involved in any given trick that are within the grasp of any given magician makes buying the trick all the more alluring. If any so called "magician" looks at a method and snubs his nose to the trick, then he probably shouldn't be doing the trick, anyway.
Consider: Most of the magic community is made up of amateurs. Of that group, a large percentage have only been in magic for a short period (say, under 5 years). Of that group, most of them want a trick that they can do NOW. And, in that group, they have a surprising amount of disposable income. They see it's something that they can do immediately, money isn't a big object and the props bear out the price. Not surprisingly, it will sell.
Further consider: In the group that would be considered "pro to semi-pro," the larger percentage of them are ethical, meaning that if they don't buy it, they won't copy it. In this group is a certain amount of disposable cash, particularly for buying an effect that they believe is usable in their act. For this group, knowing how it works does not dissuade them from making a purchase, although it may be the deciding factor in whether to buy immediately or wait a bit.
Further consider: In the group that are thieving little b******s, they will come up with a method, right or wrong, and copy the trick. Regardless of anything, though, paying the price of admission will never be an option.
Lastly, consider: Of the general populace made up of laymen, they have no idea what we're talking about, even though it seems obvious to us. If we say "I did a dbl lft," it will be fully meaningless to the unitiated. They do have a base knowledge, though...Most of them know what misdirection is, even though they have no idea of the depth of study that goes into the techniques that are involved; most of them know what "palming" is, even though they can't catch it or see it; most of them have very misguided notions as to how we do what we do ("It went up his sleeve" or "The hand is quicker than the eye"). But, in the general scheme of things, if I say that a coin is made to transmute into something else via the use of a Bobo Switch, it will make absolutely no sense to them and will be a far cry from exposing anything at all.
And, it is all a minefield. Where do you draw the line? What constitutes exposure? Is it exposure if shared amongst magicians? Is it okay to openly (amongst magicians) expose one sleight, but not another? Which sleights can be shared and which sleights are considered exposure (or even theft) if shared without any one, given person's permission?
There are a lot of unanswered questions when it comes to exposure and ethics (and by "unanswered" I mean that any possible answers are vehemently disputed from person to person and group to group).
Sometimes, we do go to extremes.
Mike.