The Principles of Magic by Richard Osterlind - Review.

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The Principles of Magic by Richard Osterlind - Review.

Postby Piers » Thu Aug 11, 2005 2:30 pm

The Principles of Magic by Richard Osterlind - Review
New e-Book. August 2005


Bought mine from : http://www.osterlindmysteries.com/

Price : $20 as a downloadable e-book. A printed version will be available later in the year.

Difficulty : Not really applicable. It is entirely down to you !

They Say :

Why can two performers do the same piece of material yet one consistently gets much more enthusiastic audience responses?
Is it possible that some of magic's most sacred axioms such as "never repeat a trick" and "never tell an audience what you're going to do" may ultimately be responsible for the huge amount of mediocre magic that abounds?
What is magic's biggest lie?
These are just a few of the topics that Richard Osterlind tackles in what may be his most passionate argument yet for a return to the fundamental principles that once made conjuring one of the most respected of the performing arts. Over the years, these principles have become misinterpreted, misunderstood or largely ignored, resulting in magic's unfortunate and undeserving loss of its rightful place in the public's estimation. The Principles of Magic is Richard Osterlind's warning flag that, as performers, we have to change many of our approaches and attitudes before it's too late and magic vanishes forever.
As a bonus, Richard offers "Inside The Fold," one of the strongest openers possible for a magic or Mentalism program. It's a surefire way to gain the respect and attention of any audience immediately.
More than just a reasoned appeal to mystery performers everywhere to once again lift magic to its highest artistic potential, The Principles of Magic is about re-discovering what it was about magic that you first loved...and perhaps re-learning how to share its original wonder with others.

I Say :

I wanted to review this e-book, not just because Richard Osterlind has written it, but because the content appeals to me. I’m also going to try to review it, and at the same time ignore who wrote it. I don’t want to be biased, I want it to stand on its own two feet !

What you get is an e-book. For $20 via PayPal, you get an automated and instantaneous link to download the file. The download itself can be initiated via the received email, just as quickly. The downloaded file is a larger 1.8Mb, but the process is as smooth as silk. Double click the received file and read or print using Adobe. The end result is an e-book of a substantial 69 pages. The layout is clear and well presented, and pleasing to the eye.

The author identifies two main objectives. The first is to strengthen the respect magic should have, and the second is to build on the principles of magic.

So, this is not a book of tricks or effects. That may put some off purchasing, but it shouldn’t. We all have trick and effects, books and gimmicks. But what I need help with, and many others too is, how I deliver, what goes on in one’s mind, and that of the audience and participants. This is what I see the book addressing.
My own interest is Mentalism, but I see no reason why any form of magic, or even non magic public speaking would not benefit. There is much for the mentalist, through to the children’s party entertainer also.

The book is divided into 5 Parts, comprising about 23 Chapters. Topics include The Magician’s Ego, Mentalism, Nerves, as well as Sections focusing on what TO do, and what NOT to do.

As I read, I nodded in agreement. Not because I already knew what I was reading, but because every word seemed to fall into place, making sense, and feeling like something I could use in a very practical sense. There is philosophical discussion as well as practical advice, and all very useful, for the beginner or professional. I particularly liked the discussions on Audience Management. There maybe points that some will take issue with ( pre-show for example ), but wherever your thought may lie, you will at least have ‘thought’ !

I think with any such book, it has to better than just a good read. There needs to be something the reader can take away, maybe make notes on, and use and apply. This book certainly delivers. There is much to take away and use, and a second or third reading will glean even more. It is a book to read, pause, think, note, annotate and then continue. And also a book to use, to examine one’s own presentation, routine and delivery. That is where the real workable value lies.

This is a fine offering. Richard Osterlind is an accomplished writer, but also a writer with experience, who is willing to pass his knowledge and thoughts on for the benefit of others. This is an insightful and educated text. So … Look and you shall see.

As a bonus, for those that do like effects, or, who might wish to apply these thoughts to a new routine, Osterlind’s ‘Inside the Fold’ Mentalism routine is also included.

Overall : Just $20’s in your pocket ? Tempted by another book of tricks or effects. Forget it ! Buy Richard Osterlind’s book instead. You already have the effects, now learn how to better deliver them, for the benefit of you and your audience.
Having read the book, my ‘emotions’ certainly felt inspired !

Rating : 9/10, because nothing is perfect, but this is as good as it gets.


Note. I’m just your average ‘Joe’. I’m no philosopher or professional. So this is just my personal opinion of something I like very much.

:shock:
Piers.

2 ops, numerous scans and tests, and 18 weeks of chemotherapy later ...

"As seen on the QE2 and QM2"
Author of Salem's Cornucopia and 60 Second Palmistry.

piers@spookyfanzine.com
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Postby bananafish » Thu Aug 11, 2005 3:58 pm

Thanks (again) for the excellent review Piers. This is already on my wish list. I am not sure I have ever had anythiing of Osterlinds that wasn't a great buy, and his essay manuscripts were both well worth reading (making Real Magic/Making magic Real).

In fact the only item of his I think i don't have is his clear force bag - but only because I have a clear force bag (funnily enough as used in part of a Duane laflin kiddies effect). Having said that, I am still condiering the Osterlind bag - just for the literature that he would bundle with it...

The man is awesome. The mentalists mentalist...
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Postby MagicIain » Thu Aug 11, 2005 5:55 pm

Piers that is an absolutely superb review. I have had just one of Osterlind's essays for some time now (Making Magic Real, as mentioned by Bananafish just above) and have been meaning to give it a review. I've been putting it off because I know that what I think of it is going to be difficult to put into words - it's not as long as 'The Principles of Magic,' but it's just as inspirational, by the sound of things (maybe Bananafish could pop a review up here for us... :) ).

Again, a wonderful review for what must be a simply astounding collection of well-chosen words by Richard Osterlind.
- Iain -
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Book

Postby Piers » Thu Aug 11, 2005 6:17 pm

You are very kind, thank you, Piers.

:oops:
Piers.

2 ops, numerous scans and tests, and 18 weeks of chemotherapy later ...

"As seen on the QE2 and QM2"
Author of Salem's Cornucopia and 60 Second Palmistry.

piers@spookyfanzine.com
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Postby Vanderbelt » Tue Aug 24, 2010 5:59 pm

I've just finished reading through this and thought I'd best share my tuppance worth. To be honest, I'm slightly surprised (perhaps even alarmed?) that this book hasn't garnered more attention here as it's absolutely fanbloodytastic!

It's worth pointing out, from the outset, that I'm not that familiar with Osterlind's teachings with the exception of The Very Modern Mind Reader. I make no apologies for being a Cassidy (and to a lesser extend Hillford) addict so much of what I buy in terms of books comes from those two.

I had a look at my mentalism budget this month and thought I could happily buy a new effect or some such. However, with two important (to me) gigs approaching I thought it might be wise to see if I could better spend my money improving my performace of the effects I already do.. Because let's face it, many of us already know enough but could always do with bettering our presentation, not only of the effects but of ourselves too.

Boy oh boy I spent wisely this month! :D

From the very start to the end Osterlind asks questions of the reader, provoking a great deal of thought about the performance of magic (whatever your flavour) in general as well as about your own performance. Rather nicely, he doesn't always answer those questions either, instead giving you something to go away and think about.

The writing style is formal without being stuffy. This is a serious book about a serious performance art and the text reflects this, it's no-nonsense stuff. It works too, on more than one occasion I found myself literally sitting upright to take notice of the words on the page. The chapters are all broken down into nice sizeable chunks making this an easy book to refer to time and again. It never dwells on a single point too long.

One trait some people may find slightly annoying is that Osterlind presents his opinions as fact (much in the same way some TM members do :lol: ). To be honest, I didn't mind so much. After all, who am I (an amateur mentalist who's been learning for only 3 years so far) to tell Osterlind he's wrong? It's obvious (even without his reputation) that what he is explaining to you is born from years of graft and I for one am grateful of the advice. It will certainly get you thinking about some of the so-called Golden Rules of Magic - certainly anyone who subscribes to the idea of 'never repeating a trick' is given plenty to think about when it comes to their magic.

As well as what might be termed theortical treatise on magic as an art, the reader is given plenty of solid advice on many topics that our books of effects never mention... nerves, how to dress and spectator control being some notable mentions.

I could probably go on, but I won't - as always with me, I'm always happy to answer anything you feel I've left out.

For those of us who have thought of paying huge sums for the likes of Pure Effect or Absolute Magic for the insights they give into the performance of magic rather than the effects themselves then £23 for the print version and less for the ebook is an amazingly good buy.

I know, already, that those two important gigs are going to be far more successful thanks to the information imparted here. 10/10
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Postby Wikipete » Mon Jun 27, 2011 1:36 am

I really liked how succinct the book was and how 'to the point' all of the chapters were. You could sit down and read it all in one go. Its a real 'manual of magical artistry' and I have not found another book quite like it anywhere.
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Postby SpareJoker » Mon Jun 27, 2011 9:36 am

Do the contents of the book mainly apply to mentalism, or do they have appllications in other fields (e.g. close-up)?
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Postby AlexanderNew » Sun Jul 10, 2011 3:07 pm

Awesome review! I was thinking of buying this and now have convinced me! awesome! :D
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Postby ! KabLaM ! » Wed Aug 03, 2011 6:04 pm

This book has some very clever and well thought out effects in it.

Whole heartedly recommended!
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