mark_c1975 wrote:I don't think you should be afraid or worried about using gimmicks, as most spectators don't even know they exist! This can make your magic seem even stronger, as some packet tricks would be impossible without gaff cards.
Hmmmm
I'm afraid I am a bit on the contrary side of this... as I believe that spectator's aren't ALWAYS as gullible as you think.
For example, an effect which is so impossible that it could only have been done with gaffs will beg suspicion. For instance, holding 4 cards which all change to 4 different cards.
However, the reverse side of this is that packet-style effects which look totally impossible, using nothing more than regular cards and magician's skill, can be fully examined afterwards.
This, to me, is real magic.
Gaffs and stuff are fine, but there's quite a fine line between what is skill, and what is impossible. Find that fine line, and you've found the perfect effect, surely?
For example, the classic 'twisting the aces' routine is pure magic, as is the Colour Monte and will stun spectators again and again. Why? Because it's a display of the seemingly impossible, coupled with regular cards, and pure skill and performance.
NFW, which we all know uses gaffed cards, on the other hand is also a stunner... has the same dramatic effect on the specator, and is seemingly impossible. But, there is no way that the cards are examinable.
All of us have at one point in our magical voyage been possessed with CUPS—the odd impulsive need to purchase something on the strength of it's marketing. For me, this period was around the 2002-2003 era when a sudden splurge of online magic shops came to being. Mostly packet effects, gaffed decks or gimmicks of one kind or another.
I was already an 'OK' card magician, at that point. But, in buying these effects (most of which were in the £15 price range and got to the back of the crud drawer quicker than a spider on rollerskates) I actually learned a heck of a lot of sleights, techniques and subtleties which I'd have otherwise never have come across.
Plus, add the fact that creative magic comes from experience. Packet effects are an excellent way of learning how a creative magician's mind works, and the results are often more instantaneous than with, for instance, learning an effect or sleight from a book or DVD.
Now, correct me if I'm wrong—but that makes a packet trick something of a paradox. On one hand, people are against them, on the other hand, they're an aid.
After CUPS, most cardies will agree that purist magic feels so much more satisfying to perform?