Interesting discussion, although I do realize that the thread has been tucked away for a while. I haven't read everything here, but I would still like to add my two cents...
This seems to have turned into a discussion about what counts as magic and what doesn't. WHO has the right to call him or herself a magician. It is, of course, not easy to draw a line there.
I think I agree with the lot that says that in most cases, actors and "simple" camera tricks are not a very good tool when performing magic. I think that, a large part of making tricks look like magic, is to show how fair the conditions are. What happens should seem to be impossible! I mean that's the basic concept of magic, isn't it? And well - if you can use actors and advanced camera editing, then nothing is impossible. Just look at movies - if we see an actor being killed in one movie, it's not magic to see him or her appear in another movie a few months later. The audience knows that the film makers goal isn't to perform something that seems impossible, they're only forced to because what ever story they want to tell requires that a person gets killed, eg.
When we watch magic in a live situation, we know there are no camera tricks, simply because there is no camera. In stage magic we can perhaps suspect that someone picked up from the audience is in fact a stooge, but if someone just starts to perform a trick in an everyday situation, we can usually exclude that too.
On television, we cannot assume anything. After all, those movies I talked about above do run on the same screen from time to time. To make the magic shows seem even the slightest interesting, the audience must be able to feel that the performance somehow differentiates from "hollywood magic", otherwise the whole idea of magic really becomes completely, utterly pointless.
I think you know this: many people who watch magic on TV do assume that everything that they cannot understand is made with trick photography and/or actors. You all know how even the simplest trick can seem amazing if you don't know the secret. The "FAKE!" explanation is near at hand all the time. Just look at some comments on youtube... I saw someone proposing an explanation for Healed and sealed, suggesting that the can was switched when it goes out of the picture for only a few frames. And well, really, from the audience's perspective, that often does seem like the only possible way of doing it. In fact, maybe it WOULD be less of a hassle to perform it that way on camera...
Anyway, if a magician performs one single trick that is "obviously" done with people cooperating to some extent, or the video being edited, then it
is logical to assume that he does use that same versatile tool for each and every other trick. It follows
Occam's razor - find the explanation that assumes as little as possible - well if we are
forced to assume actors in one trick, then really, that's the easiest explanation for nearly everything that happens. And suddenly there just is no reason to keep watching anymore. A collection of half-assed special effects, without any story or anything keeping them together - what's the fun in that?
So well, I guess what I try to say is that what Criss Angel performs here is, in my eyes, a sure fire way to remove all the magicness out of the magic. Or perhaps remove the effect from the effect.
The workings of the trick in question seem more like a nice concept for a lowbudget movie SFX, rather than a magic illusion.