Zack wrote:Patter can be so strong in an oil and water routine. The cards could be misbehaving. It can be presented as a scientific experiment of matter passing through matter. You can even use the fact that oil and water separates to apply patter to the effect.
With the exception of Derren Brown's version, (which works because it involves lots of spectator participation) I don't think patter mixes well with oil and water. The worst presentations in my opinion are the ones where the magician actually talks about mixing oil and water, which is such a cliche (anyway, scientists now know how to make 'em mix). Never mention the words "oil" and "water" during an oil and water routine, that's my advice.
But a good oil and water routine can look wonderful performed to music. The first oil and water routine I ever saw was the one by our very own
Rune Carlsen, and it wouldn't have the same elegance with patter. Nor would the spectator benefit from patter to follow what is going on, because each move is performed with such deliberation that the spectator cannot possibly miss it. It is a visual treat, almost a ballet of playing cards, and patter would ruin it.
What we have
here, however, is
not a good performance (sorry, Scriptorilsky - your consolation is that I've never attempted anything as sleighty as oil and water at all). It's impossible for the spectator to follow which cards are
supposed to be red and which are
supposed to be black, and there's therefore no magic when the magician reveals where the cards actually
are.