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memorire wrote:actually you can perform some really nice illusions under the disguise of making some arkane ritual
so i wouldnt knock off discussions on magickthey can be very inspiring for new presentations!
greets
Craig Browning wrote::twisted: silly boy... there are those here as well, who are quite well versed in the things that go bump in the dark![]()
Your are correct, of course... the game players (as in "the Gathering") and Pagan types may find far friendlier grounds elsewhere
Blessed Be
memorire wrote:Rufio, from my own observations i can say if you do everything right and give he spectator/participant the ony explanation why it works that its magick (or voodoo or whatever else) he actually believes that on some level. He wont necessary show it or say it...maybe even not think it but some part of him, the doubting part that most ppl have will ask him "what if?" and thats where the effect nails him
Rufio wrote:memorire wrote:Rufio, from my own observations i can say if you do everything right and give he spectator/participant the ony explanation why it works that its magick (or voodoo or whatever else) he actually believes that on some level. He wont necessary show it or say it...maybe even not think it but some part of him, the doubting part that most ppl have will ask him "what if?" and thats where the effect nails him
I wholeheartedly agree. I would like to think that when performing magic the spectator has that "what if?" moment too. I agree it's those moments when belief is suspended that they are then nailed. Yup, i should have really qualified my previous post by saying that such voodoo or pagan presentations are not for everyone - that's what i meant really. but i do still feel that using such references will still be met with scepticism.
Logically, such argument could lead to the inference that in that case, adopting such a view makes me sound elitist and hypocriictal in the sense that if those magic "what if" moments can be canvassed as a possibility, then why can't sorcery, why can't incantations of magic spells? For example, if one form / genre of illusion exists (i.e. general magic as I cheekily suggest), why can't another exist? I can't really begin to answer this, BUT... if sceptics and hecklers (i.e. rationale people) are willing to recognise what you are doing (i.e. ostensibly tricking them), whilst refusing to accept magic at face value, it must therefore be a question of magican and spectator knowing that it isn't real. Of course, i've no false aspirations as to my magic and whilst I don't say it is fake, for example, there is a mutual unsaid understanding that regardless of how much of a high art it could be perceived as potnetially, I am clearly not magically changing the ink of one 6 of hearts into a 9 of clubs other than by way of a colour change. It is still magical and entertaining, but it is not real or literal. I appreciate there are darker presentations to magic and agree with Dr Todd and memorire taht they could enhance a presentation potentially, but for me the crucial difference is the unspoken disclaimer that what I am doing is not some otherworldly or supernatural power, rather it is entertaining tomfoolery. Even mentalism to some extent retains this purpose and role, but you are simply using undetectable methods.
What I meant was in relation to this notion of witchcraft or sorcery as prompted by the relative furore of some additional TM members. I agree that you're right memorire - yes, the presentational spin you describe would work well on the proviso the performer could pull it off. However, whilst it may be a fine line, IF said performer was to go TOO far, in effect, suggesting that there is no disclaimer, unlike as described above, then the relationship between performer and spectator in their traditional roles as entertainer and the entertained is broken. Given the breakdown i'd imagine it would alienate if the perfomer, illustrating a display of spells and sorcery, etc. taken his role too seriously. Having said this, I realise i come across as a bit too serious in this post too, so to return to one's Dickensian street urchin mode will have recourse merely to repeat a joke: why the baker have dirty hands? Because he kneaded a poo.
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