The opening chapter of Richard Wiseman's Paranormality is a very insightful exploration of readings. It is sceptical without being dismissive (as Ian Rowland's work often was). Anyone else read it yet?
I don't know this title but will look it up, thanks!
As to the suggestion that "some who spit bile at the book suddenly claiming long term support" (insinuating me, I'd guess) I will point out that I've always said that it is a great second step but NOT... ABSOLUTELY NOT something for the novice. I've likewise pointed out that the original intended market, at least according to the original cover story, was for the book to cater to the general public in much the same way the Max Maven "
How to Read Anything" book attempted to do -- a "Coffee Table" book. This is one reason why Rowland has a nasty reputation for Exposing secrets and has been essentially boycotted here in the U.S. (though I don't personally think that was justified; the man does have a thing or two to teach folks, I can say the same for 99% of the people I disagree with in that I can give credit where it is due).
As Mark pointed out Rowland has NEVER worked full time as a Reader, relying on that skill set as a key income source, I know of very few in this industry that do now days though you will find it amongst the old timers that operate outside the Dunninger mold & ideology of things (a.k.a. Robert Nelson fans).
As to the books popularity, it has nothing to do with Derren Brown's endorsement but rather the entire skeptic's community burping up the title every single time a novice asks about learning Cold Reading. The thing I've always found sickly humorous about such encouragement is that this, TRADECRAFT and the Dewey books all deal with one-on-one Reading work and NOT working from the stage -- all of these "experts" are sending students to resources that encourage Reading work vs. a focus on performance-based responses to questions. You'd think they would point the neophyte in directions far away from the very thing they loathe.
Then again, we work in an field that claims to be
"actors playing the part of ___" and yet, members of the fellowship rarely know the first thing about acting let alone what the differences are when it comes to up-stage vs. down-stage and actual showmanship vs. showing off (and all too frequently, doing a poor job of it). In other words, this seems a craft filled with contradictions when you step back and take a long look at it.
