by hds02115 » Oct 3rd, '11, 18:55
Hey like I've said, I'm not knocking double lifts. They're been around forever for a reason. My issue was that people seem to get to the point where Jon is at where lots of their tricks involve them because many beginner tricks do, but instead of progressing onwards, they hit a wall and seems to think that the magical world revolves around this move which I think is wrong and a bad thing, especially for beginners. People should learn it and practice it, but no more than any other sleight. There are more useful sleights out there.
Yes performance is the most important thing, but that's not really what's being discussed here and yes with some nice misdirection you could get away with murder, but what I was talking about was how people get so caught up in one sleight that really isn't as important as they think.
Alec, I can't really comment on your magic as I've never seen it just like you or anyone here I doubt could comment on mine, but I'm sure if you really thought about it, the DL probably isn't your most important sleight. As for the other comment made here about not many people hearing of the DL, I'm pretty sure that's dependent on where you're from. I know you're from a different country than me so I couldn't comment, but it's definatly not like a diagonal palm shift which I'm guessing no one non magical has heard of. You mention the pass though and how you don't really find that nessasary. I'd probably say it's more useful than a DL and where as a DL will eventually draw peoples attention to the guilty double card, a pass can be and is ment to be done under misdirection. I do stand by it though that a pass is similar in that it get's over practiced. Well over practiced is a bad way to put it, more put on too high of a pedistool.
I would like to appologise to the starter of this thread, from what I ment to just be a one time post about my views of this sleight, it has seemed to stray off topic a little.