
dosn't evey magician start out with close up, evey day household items made miraculouse
then finances permitting graduate to stage / parlour (oops showing my age) magic safe in the knowledge that they have paid there dues, crimped endles packets of cards, developed hands of steel.

not thease days when you can pick up a plastic version of a classic ilussion that not so long ago you would of had to engineer from scratch, following some text handed down from mag to mag, dog eared and coffee stained and bearly ledgerble.

I'm not saying that we should go back to those days of
answer my question's three.
but i have progressed to the stage where i can just about afford stage props of quality, which now allow me to express my art in a better, more impressive way (comercialy that is).
i still enjoy close up but find clients thease days fuled with masked magician envy grabby and intent on debunking you.
so i think for the imediate future i will control the distance and amount in my personal space.
its true anyone with a personality and bottomless wallet can be a stage magician, the box jumpers do most of the work.
but its the middle ground, the palour magician im aiming for where skill meets quality crafted boxes and special tables.
so in conclusion i think you have missed out a big chunk of people that are more than close up but less than that pretty boy (head) on stage.