"do not colour one man’s world with another man’s palette"
aah this old chesnut...
i urge anyone who is interested in the performance and perception of magic and mentalism to read Geist...it puts forward a very good argument; as well as containing some very powerful effects and methods...
what labels we stick on ourselves and each other eh...
i do find it interesting that whenever a magic is mentioned, its always "tricks" and "sponge balls"...its like saying mentalism is
just "swami" and "centre-tears"...
so i feel a slight waffle coming on...
how many people have you sat down in a bar with and said to them "hmmm do you know what a mentalist is?" they will no doubt reply - "well, there's that guy that gets on the train and speaks to himself...is that one"...its a label...a label to explain to others in the field...nothing more nothing less...i really cant stand them...
mentalists don't use cards...well, they do actually...derren brown, andy nyman, kenton knepper, corinda, annemann...they all do/have...
i find that in general, labels also constrict you...you have no room to manouver around, you can play less...
What is Andrew Mayne for instance? He's given us quite a few "odd" effects...what label to you want to stick on his forehead? Bizzarist? But he also does stage illusions...so illusionist? But he also does close up card and other stuff...so is he close-up?
It makes me feel quite sad when i see people so keen to keep things "like its always been", and to a point, they have....well, a point...
but not always...look at the French language...they have a "quality control" on their language, it kicks out certain slang and "absorbed" words and because of that - it's very slowly dying...
The english language absorbs though - we do not translate "croissant", we do not translate "sushi"...
It has parallels (i think) with magic in general. Years before, if you were lucky, you got taken on, tutored by someone...so that you could then forward the craft, the art, become like them, but add your twists to it as you progress...
And nowadays, the progression is a hybrid...a hybrid of arts. Lets look at the mighty Derren Brown. Suggestion, card work, high theatre, br**nw*** deck, exposure of old spiritualist methods, good old fashioned fakery, acting and all sorts of other things into the pot or cauldron to create something new...
He is more than a mentalist. He is more than a label. I feel those of us who take it seriously, who want to become what's inside us as a performer...well, advice is great when its constructive..but ultimately, everyone has their own path to take...
and some dont always like treading where others already have...
To dismiss someone else's journey i think is dangerous and to a point, rather snobbish and churlish...
Learn by doing, what you define - you create...WYSIWYG, whatever you choose to do, is you and you alone...
Im just as entertained by Lennart Green as i am by Max Maven, just as im enthralled by Eugene Burger (bizarrist/card-worker/sponge ball routines) as i am by Jerry Sadowitz...
I couldnt give two honks on the horn of plenty what others label or call them...i could sit with them round a table and be taken on an emotional roller-coaster ride by any or all of them...glee/joy/surprise/shock/fear/ any or all of my emotions...
Hendrix was once asked "do you consider what you're doing anything similar to Cream?" and he said "no, we're just trying to get our own thing together - a kinda freakish blues...we do our own thing..."
Its the same with magic, two pairs of hands (normally), one mind, one way of performing...if you don't like it...fair enough, but don't damn them for trying to find their own way to perform...
ahhhh waffle over....
