by Tomo » Dec 23rd, '06, 16:04
Coo, this sounds like fun:
" Playing sinister games with doubles and mirrors, Dario Argento draws on a wealth of movie references to give this stylised chiller its unnerving atmosphere. What's most striking, however, is his incessant use of a fluid camera that fills each meticulously constructed sequence with unease. As in Blow Up, David Hemmings becomes obsessed with tracking down a killer, only for his classical musician to soon find himself being pursued as both suspect and target. Argento's delight in eccentric props and erratic angles, together with his reliance on pop psychology, help make this a fascinating odyssey into psychosis, despite its evident flaws."