Okay, you've got the moves down, it looks good and I can imagine that it takes your specs completely off guard. Well done. It's refreshing to see someone actually put the time into getting it right before asking for advice.
If your "moves" look like "moves," you're in trouble
Absolutely. I couldn't agree with this statement more.
You're looking to routine this...Okay, well what's with taking a drink from the glass cleaner? Where does that fit in? It has nothing to do with anything and it is a direct rip off from other performers (I believe The Amazing Jonathan, specifically). May I suggest that you find a different schtick? You know, rather than copying someone else? Possibly take a drink of transmission fluid and, as a segue from you last trick (say, coins), and you state "I always take a sip of this when I'm going to change up gears." But, be original at least.
Now, you can move onto another trick from this if you continue to control the first two selections. Have the next spectator pick a card and it turns out to be the ace of clubs. Stop, say "Wait, that's (spec's name) card. Try another." It turns out to be the two of clubs. You say, "Geez, are all these cards the same two?" Then have them select a card that is different. From here you go into whatever effect you like...Card to forehead, to wallet, whatever.
In fact, you could make an entire routine around the original two cards selected constantly coming up as a thread that runs through your entire routine. You try to find the card selected and you keep finding the two or ace of clubs...Something along these lines may be quite comical. It certainly would add an entirely new dimension to an ACR if those two, original selections keep getting in the way. And, to my knowledge, nobody else is doing such a thing (although Doc Eason does do this to a lesser extent).
Not too long ago, on Visions, Dan Paulus had an aricle called "Push It" where he considers the idea of taking things further. He uses the old Carlin routine about the "7 words you cannot say on television," amongst other examples, to prove his point. The further you go, the more comical something becomes. I suggest that you give that article a look over and consider the ramifications of pushing the idea of the subsequent chosen cards being the same as the originals. This will, of course, require a very careful handling on your part to continuously control the original two cards, but it gives certain possibilities that are not being explored by other performers at this time.
In a routine, the general rule is that the opener should be quick, grab attention and set the pace of the tricks to follow. There are different theories as to how the routine should continue after the opening.
One theory states that you should go for peaks and valleys. The first trick is a peak, the next a valley, the next a peak, the next a valley, finishing off with the hardest hitting of all. Another theory is that it should all be one plateau - everything of equal value. You need to decide which way to go. Personally, I prefer peaks and valleys.
The peak and valley idea allows you to start with something hard hitting to garner attention, then move into something a bit slower paced and more cerebral. Once you have their attention, you are more at liberty to slow the pace a bit and still maintain their attention. Upon completion, you whack them over the head again with something a bit stronger than your initial opener, which wakes them back up and you can again slow the pace.
Now, giving you advice on where to go after you've finished off the trick above isn't all that simple. I don't know what you're capable of, what you know, and so forth...
However, if you were to do a Triumph effect wherein the ace and two are the ones that stay upside down once the deck is righted, you might go for a sandwich effect with the final, chosen card coming out between those two. Now
THERE is something nobody else is doing. Or, depending on your skill level, have the ace and two become the single chosen card (gambler's cop, maybe). Off hand, though, I like the sandwich idea...
Anyway, just some thoughts and I hope that maybe they've been of use to you. Again, your handling of the trick above is nicely done, smooth and magical.
Mike.