by magicmonkey » Apr 18th, '07, 16:56
Figo, thanks. Glad to hear someone else is getting some hard earned experience doing this.
Lady, the honey pot as you call it is a very good way to figure out how to perform for strangers.
Mikey, what I term as real street magic is the opposite of what you are doing. There is a HUGE difference.
You have your spot.
You do something to attract attention.
The people walk up to you, not the other way round. i.e. what you are up to is somehow more interesting than wherever they are headed for now at least.
When you are finished (hopefully not before), it is them that walk away, not you.
In other words, they are the passers by, not you.
The thing is that it needs to be something that you can walk in on at any stage, which is why the cup and ball routines are so popular.
A lot of the best street performances I see are merely two or three tricks, yet still somehow develop into a good 20-30 minute show. The patter is continual, natural and funny.
A friendly warning to anyone trying this, firstly check that it is ok to do this in the area, and secondly if other performers are there already, ask them if it is ok to get in the queue. Most of them will be fine for you to have a go but others can be fearsly defensive of their patches.
That said, it is a great booster for confidence and performance smarts, but can just as easily give it one mighty knock. All sorts of things can happen, from your crowd dissappearing to your pitch being invaded by a 40 strong trail of dancing, drum banging, bell rattling hare krishna's.
Imagine being midway through your best trick in front of 25 people, and within seconds you are facing just 3. It is soul destroying.
Then again 30 strangers shaking your hand, thanking you and leaving you with a hatfull of nuggets gives you a very warm feeling inside.
Last edited by
magicmonkey on Apr 18th, '07, 17:16, edited 1 time in total.
not a fan of sigs, so I won't bother adding o..... oh
