sleightlycrazy wrote:
Card productions, if you want to stick with cards.
Linking Rings
Sorry to differ, but I strongly disagree with slightlycrazy and find this suggestion more than slightly crazy
Why introduce some entirely new magic that takes quite a lot of practice to do well. It is very important that the magic you perform is magic that you are comfortable with and
have already tested in performance situations .
My advise is almost the opposite of what slightly crazy suggest. TerryC stick to what you do well, but try to find ways so the crowd can see. What is the set up? If it is a dinner situation I suggest you first show them one general effect (and maybe include a few gags depending on your style). I suggest that you then do some table hopping afterwards.
My best advise is that you stick to the tried and tested, but choose the best general setup that you are most comfortable with, and
focus mainly on changing the presentation so it suits the performance situation.
If you are a good and confident public speaker you might
start telling them a short story and link it to magic, but if this is not your strength try something else.
If Macdonald's aces is an effect you are comfortable with and can do in your sleep, and you do not have that much else on your current repertoire you might decide to arrange the setup and still do MacDonalds aces for the crowd! If you do it well and are comfortable, you can still do this effect but might change it the following way:
Instead of having the spectator hold the ace and three indifferent cards under his hand ask the spectator to put the cards in the box.
After he has closed the box ask the spectator how many of the four aces are now the table? Do not rush it. Make sure every one understand there are 3 aces on the table and one ace in the box. You might (or might not) ask the crown to repeat:
One ace in the box - thee aces on the table .
Ask the spectator to go to the opposite corner of the room. Try to make it dramatic. Ask him to stand on a table so all can see. Also I would suggest that the spectator all the time holds the card box in straight arm high over his head. Explain him this is important since some might suspect he is an accomplished and that he might change the content of the box. It also ensures that he does not try to steal the show by opening the box prematurely. You might ask the crowd to repeat:
one ace in the box, three on the table . Then you let the aces disappear and fly to the box.
I suggest you do the routines you are most comfortable with, but think of ways to enhance the dramatic effect and utilize the general performance situation.
In general its important that the pace is a bit slower than if you did the effect close up.