
Well Seige It's a good job we still like a fighter. When Britain was down in 1940 we fought back. It's in our nature. And thank goodness young George, who is a born dancer, has still got that get up and go!
Having adjudicated nearly a hundred Drama Festivals, heaven knows how many Drama Exams I have judged (practical ones not written) & a number of Magic Competitions I can tell you from sheer experience that it is an almost impossible task to pick out a one winner. Unless they are all doing/performing the same thing. How boring that would be
Of course, particularly with Magic Acts, there ARE always ones who will stand out with 'better' routines, originality & polish.That
could make it easier if you were lucky.
With the National Drama Work at least there was an agreed marking system and all examiners were trained to compare their marks with others against the same pupils( who were in the training on video)
With all Talent & Magic Competitions the personal opinion (often unqualified or uninformed judgement) is the measuring judgement.
Very often personal judgement is clouded by personal rancour. And you've all heard magicians say after magic performances: "Oh he shouldn't have done that", or " I have a better way of doing so and so" or even MY version is better etc.....
I still think SC put the Street Dance Troupe in to lower the odds against his favourites. Because perhaps the comic, who really deserves a place in the few Seaside Shows, might just appeal to the older viewers in particular causing them to vote opposte to waht SC wanted!. That is my thought.i
The Girl 'band' are obviously professionals and already have a career.
On morning TV this morning, the boy soprano emntioned that SC had things lined up for him, the girl musicians & the 12 year old singer.
With the Finals last Saturday, just on viewing, ANYONE of those Acts,(except perhaps The Plumber singer & the Street Dance Act( who technically or creatively were not up to the Cornish group, earlier in the week) could have won.
A number of the performers used an emotional pull with both audiences & viewers, before they performed!
EMOTION. Something magicians almost never use. No wonder Amanda Holden, when asked on morning TV, 'Why do you all hate magic Acts?' Her reply: 'Because they are all bad Acts.' She may have said rubbish.
I am told by someone who was there last week, and is a friend of one of the Acts that they were allowed 90 seconds. How can a Magic Act register in that time? It is an Act not a one off song. And when judges won't even allow us to see all 90 seconds, then magicians should think again before entering. If they are good enough for a semi final they are good enough to have all their 90 seconds.
There is so much that goes off behind the scenes it would make your blood boil if you knew all the facts.
One Act given a piece of so called advice was prepared to take it on board but was told by the Production Team, "No. You must keep that in.'!!!!

They were buzzed.All 3 buzzers.
Even the singing plumber let out, 'The song was chosen for me. It was not the song I wanted to sing'.
The Royal Variety Show would have benefitted from using all but two of those Acts on the Bill. At least we would have some relief & freshness from the normal RV Bill
Allen Tipton
Began magic at 9 in 1942. Joined Staffs M.S at 13. Nottm.Guild of M. (8 times President. Prog Director 20years)IBM. Awarded Magician of Month 1980 By Intern. Pres. IBM for reproducing Dante's Sim Sala Bim. Writes Dear Magician column for Abra. Mag.