I said to myself that I would only give my thoughts on Reality Is Plastic once I had fully hypnotised someone, and by " fully hypnotised" I mean something more substantial than magnetic palms or stiff arm, as fun as they are.
Well, that moment has come, albeit late in the day, as I bought this when the pages of praise was a modest 9 or so pages. Like the original post that started this snowball of interest, I too had very little experience in hypnosis. In fact, I would go further and say that I did not even know the most preliminary of background information, only vaguely knowing the concept of an induction as a layman.
The Effect
Picture the scene of that personal moment: on the final night at a resort in Jamaica on a lads holiday, having donned a guitar and sang a few of my own songs on stage with the live reggae band, absolutely blitzing the residents and locals with a seemingly supernatural and flourish heavy display of magic and having developed a reputation thoughout the duration, I mention that I'm a hypnotist. The quintessence of Reality Is Plastic - whilst its substance itself is very good - is to adopt the mantra that you ARE The Hypnotist, and to stride forward, armed with some knowhow, but mainly to expect something to happen. Accordingly, brimming with confidence after a bunch of Canadians gathered round for a short mindreading and mentalism routine, a respectable crowd were gathering momentum, and there was a humid energy in the air that comes when a magician is on a roll and finds that it is time to up the ante for the final showpiece.
I just knew that interest was picqued after a cathartic display of mindreading (correctly guessing a Canadian's thought of number, then subliminally embedding a playing card into his mind and producing said card out of my wallet). And so began the process of leading the subject up the hypnotic garden path. The hypnotic phenomena were all there, and in contrast to previous failed attempts, I was actually slightly concerned when the subject was physically malleable and required physical support to stop him from falling off his chair, but suffice it to say was generous with reassurance. By the time of delivering the overraching suggestion, I was already feeling pretty masterful and beneath the cool exterior I genuinely found it unfathomable that this really was taking place. I opted for a simple association of hand to face with laughter and timed it slowly so that the spectator was visibly shaking with laughter, almost in fits. By this point I think the crowd, including his friends, were generally incredulous and very animated. After some moments of sheer comical ecstasy I admittedly became anxious that some adverse effect could occur so brought the spectator out of the trance slowly.
My friends were as amazed as the crowd, and everyone was asking how he felt, to which the spectator genuinely had no recollection and certainly did seem somewhat alarmed as to the apparent blackout. In any case, the point is, it was milestone for me and further cemented my status as a magician, and it was my highlight of the holiday.
The Content
Even whilst reading the concise and fascinating synopsis of hypnosis, its origins and its development, I was still sceptical. Even reading through the first few chapters, I still had a paranoid sense that I had been conned, that it was too far fetched and that really it was a reckless bout of CUPS spurred on by Talk Magic that planted the idea that hypnosis was in fact a force to be reckoned with in the first place. My little knowledge of hypnosis stemmed from vague memories of Paul McKenna on stage on TV clicking his fingers and urging what I thought were stooges to "sleep". Perhaps I would be one of those spectators with their arms folded thinking that no one could ever hypnostise
me, but it was that window of possibility pointed out by this thread that whispered my Paypal details to
www.anthonyjacquin.com/products.html.
In fact, it was only on reading about the Set Pieces that I began to suspect that there was some truth to the bold claims. Until the crowning moment, however, i must admit that I very rarely tried hypnotising guinea pigs, having grown somewhat disillusioned with the limited success with Set Pieces (in my eyes, as great as Set Pieces are, I had a preconceived notion of getting spectators to go truly "under", and the success with the Set Pieces were frankly mere foreplay in my insatiable quest to truly hypnotise, and I would rather stop than continue). However, I now am highly motivated and cannot wait until the next time I'm out on the tiles to try some inductions, and this is truly the first time since doing magic that I have felt that buzz comparable to first starting out. By way of analogy, you are essentially purchasing several routines, but with a grounding so that once the framework has been acquired, to use the familiar cliche, the sky really is the limit. People talk of the Magic Bug, but right now it's all about the Hypnosis Bug for me and I risk becoming evangelical in this regard.
Firstly, the format and structure. In my view, Jacquin does a great job of contextualising hypnosis and bigging it up, and essentially the book is structured to lead up to several scripts necessary for hypnosis. Almost begrudgingly at times, much dedicated discipline forced me to spend a lot of time to virtually parroting the scripts word for word, and this is now etched into my mind. However, more significantly, I do feel that I have ownership of these scripts so that - ironically, given the parrot approach - I now feel free to improvise, incorporate and exploit the nuances of whatever situation may arise, now that the framework has been put in place.
Format wise, the book is greatly assisted by the scripts being in bold, and it was these bold passages that I swotted up on like a memory comprehsension test.
Throughout RIP there is the distinct sense of the author clearing out the theoretical cobwebs that only serve to muddy clarity. By being so to the point, it is understandable that RIP has seemingly developed a reputation of being novice friendly. Cetainly, the matter of factness is translated into a compact but reassuringly concise (i.e. not daunting) guide.
I recall being initially pre-occupied with the gurantee that the DVD was to be included, although I understand that this may or may not be sold separately. In any case, as helpful as it is for tone of voice, and seeing subjects being hypnotised, really its main use was as encouragement. The book itself is self contained, and as with all magic and routining, I'm a firm believer that personalising or taking ownership of an effect is what makes magicians creative and not merely a monkey being taught how to juggle. In short, now that i've been taught how to juggle, I have the ability to learn new tricks or get some new balls to play with.
The Author
Another post remarked how he felt an inexplicable need to publicise and praise RIP, almost on a subconcscious level. I can certainly relate to this, as I can only imagine that the author deals with numerous queries daily, but I too was amazed and grateful at the level of how tailored and specific the response to my initial questions actually were. Of course, like the ID, part of me wants the secret to remain a secret; if only because if the concept of performing magic to a spectator who has seen it all before is already undesirable, then equally attempting to hypnotise asecond time guinea pig is equally unappealing. Failing this, I'd like to hope that Saturday Night is not awash with Hypnotists urging barstaff to drown them in free alcohol.
In summary, even if you don't get to the stage you want, it's certainly thought-provoking, and I foresee tangible knock on effects for my own magic. I can't praise this enough.