by seige » Mar 16th, '04, 13:07
BUT... there's no harm in it.
I agree wholeheartedly that these effects are like the film adaptations and modernisations of classic books... whereas the original seems timeless, but the film version is more a snapshot of the same principle/plot in a modern, contemporary situation.
And here's why Sankey gets MY vote:
Earplugs
Don't know how many of you own this, but it truly IS a new slant on sponge ball routines. I used to do a fair bit of sponge work, as to me, it's fundamental to the core of magic. However, until Earplugs, it remained at the bottom of my pile - because 'it just always seems the same'.
Earplugs, however, makes a more interesting effect - people aren't conditioned to seeing these weird cylinders of foam being used in this way - whereas sponge balls are seemingly purpose-made. I think that the life of this is limited, as you say, but thumbs-up to Sankey for having the vision and courage to let this out into the open. Great!
3-ring Circus
Magic. Yep, it's just a word. Some people think top hats and magic wands, others think white rabbits. I think of linking silver rings and card tricks.
The linking rings is indeed a true classic of magic. It's something we all know of, something which is 'physical', and something which is very visual.
There's a small problem, though... it's been confined to stage workers - because of it's scale. Sure, mini-linking rings are available, but the sheer stage presence aside, the effect is weak.
Bring in Jay Sankey, and his 3-Ring Circus. The logic behind this is simply genius. The original stage effect, consisting of 'solid' rings, which somehow magically link in the magicians hands is stunning - because the rings are SOLID objects.
Sankey's little cheeky twist of using Key Chain rings is brilliant - because here's an everyday object which CAN be linked, but it's not the easiest thing in the world.
This is an incredible concept, then, that you can hand out two regular keyrings and LINK them, instantly.
And best of all, it stays in your pocket, and can be done literally any time, anywhere.
Again, not as timeless as the original - but a true visionary concept... and one which I carry around regularly to FLOOR people's jaws.
...and finally - Magus Capsule
Quintessential. That's the one word I'd use to describe 'cups and balls'. It's one of the most innocent and frighteningly underrated effects in all of magic. There are numerous variations, numerous twists. And yet, whether used as a magic routine, or simply used as a quick 'paper cups and tissue' friend impresser, I think that this has to be the true classic magic effect.
Sankey, being Sankey, has taken the classic effect from 'cups and balls' and added a modern twist - as he does - by using a rather gorgeous machine-turned 'capsule'. Self contained, easy to carry, and visionary in the respect that when slapped on a table - this is definately not conceivable as 'just another cups and balls effect'.
Who cares if it only hangs around for a month? Who cares if it has a short lifespan?
Not me. But I do know one thing - all these effects are 'take it or leave it.'
Nobody is asking the world to abandon the old cups and balls routine in favour of the Magus Capsule. Nobody is saying 'it's better'. It's a modern reworking - which will hopefully open eyes and fit more neatly into the performances of today's modern magician. As should the Earplugs, and the 3-Ring Circus.
Sankey's not asking you to embrace them with open arms. He's asking you to 'think outside the box' for a change.
Which is no bad thing.
I admire the guy, and his ideas, and his logic, and his skill.
This is OLD MAGIC for a NEW GENERATION, in my opinion. And, as GoldFish rightly points out, if these NEW ideas can inspire our up and coming magicians to learn the OLD WAYS of magic and research the origins, this is no bad thing.
(oooh, I feel all cleansed and liberated all of a sudden.)