by pcwells » Jun 14th, '09, 12:46
I saw Marc Oberon perform his Masters Deck and bang On on a big stage.
In terms of card magic on stages, I'm of the opinion that you want to concentrate on audience action snd reaction rather than the cards themselves.
Card calling, for example: You don't need to see the cards to understand that the one you call for is the one being handed over.
Tossed Out Deck: The spectators who peeked a card sit down when their card is named. 'Nuff said.
Al Koran's Twenty Card Memory is ideal for bigger audiences.
What they all have in common is that the spectators are the focus of the effect, and not the cards. Personally, I'd avoid colour changes or torn and restored card effects for stage work, as the size of your performance area becomes quite miniscule.
Pete