Not following the review format here, at Stoner already posted one in that style...just a sort of...literary review...
It’s weird isn’t it? Every once in a while, magic finds a new area that becomes very popular, DVDs are released, names are made and eventually, it becomes cliché. Just look at the Derren Brown phase. He came out, did his thing and got absolutely brilliant reactions from everyone, magicians and laymen. Mixing traditional mentalism with the psychological approach seemed to appear new, although those well read will realise it’s not at all, and everyone was presenting their bog standard mental effects with a new psychological twist.
Alas, we come to a time in magic where the buzzword is “worker.” Everything is a worker, the so called elite call themselves workers and if you aren’t one, your opinions and ideas are worthless.
The one difference between this phase and the psychological Derren one is that this really earns money. Rather than idolising and imitating, it seems that these e-books and DVDs are actually going to inspire people to go out and work with magic, earning a living. I guess that can only be a good thing.
Before I go for too long and start name dropping those who are starting to drive me mad, I better get on to the product in question.
“A Monkey with a Deck of Cards” is a 20 page ebook from Harry Guinness. A young Irish bloke who has taken a slightly different approach to magic. In recent years, a strong misdirection camp of magic has spawned, probably due to the interest in James Brown’s work. Mixing technical strength with strong body language, misdirection and sheer balls, a new style of “worker” magic emerged. It is clear from the outset that Harry has been heavily influenced by these new concepts.
However, don’t be fooled into thinking that we are looking at a lesser, Irish version of Mr. James Brown. Influence doesn’t mean imitate, and the style here is a step further.
What you get: 6 effects, a couple of cheeky moves, advice from a “worker” and what I personally view as the most valuable of the lot? An insight into the body as a huge player in misdirection and magic.
Whilst this sold as, technically, an ebook of effects from Harry’s repertoire, I believe that there is something deeper that really is worth your attention. However, for traditional review purposes, I better get through the effects first…
I was going to do individual effect reviews here, but I don’t feel that I can fairly portray them seeing as I haven’t yet gone out and performed.
Card under spectator is definitely a brilliant effect, good thinking and sound advice.
The Polygraph effect is again, very clever. I did a similar routine before but with a slightly different presentation, certainly a good ‘un.
The Burnable Top Change is a move you’ve probably come up with yourself, at least accidently.
I don’t like it much, it seems like a lazy man’s top change, but I can see it being useful for some.
So, with a solid set of effects, you would wonder what else this could contain?
Well, as mentioned earlier, it contains invaluable information of the way Harry uses his body as a tool for misdirection, direction and audience attention. Always standing, Harry creates a brilliant use of what we all have.
I would honestly say, truth be told, that this whole production could have been replaced, or at least, should be followed by, a full ebook detailing the many techniques and ideas he uses. These could be accompanied with effects and perhaps even videos demonstrating the principles in use, but that is one for Mr. Guinness to give some thought!
Overall, a solid set of effects. Perhaps not for everyone, they are bold and cheeky. Whilst not sleight heavy, sleights such as the side steal and card folds are expected. Therefore, it isn’t exactly for the avid beginner.
I stand by however, even if you do not take a single effect from this product, extremely unlikely as it is, the information and insights more than make up for it. It is a solid product with a very unique selling point
I would give it a 7.5 out of ten for effects and a solid 9 for the info contained about body language etc.
I may just add, I strongly disagree with The Stoners point about...
But if you've been doing magic for a while and aren't out there earning money then get it
I think most of this material needs a confident approach and experience within the working field. You need to be very at ease with the paying spectator and this just isn't something that will give it to you. It's more suited for a performer who has already built up a working experience and is looking for a step forward, in effects and ideas.
"I want to do magic...but I don't want to be referred to as a magician." - A layman chatting to me about magic.