How long do you guys practise an effect before performing it

Struggling with an effect? Any tips (without giving too much away!) you'd like to share?

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Postby GoldFish » Jul 20th, '04, 00:42



p wrote:I just practice the patter then the sleight of hand and whatnot


p, it would be great if you could go into more detail about your practising routine for us as opposed to a single line reply.

Personally I practise the sleights, then the patter and I'd beinterested how you do it the other way around.

Cheers

Fish

All the best,

Will Wood
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Postby Archie » Jul 20th, '04, 15:51

As a beginner I practice the sleights and then run through it with patter and then try it out on the family!

I have found though that where I am trying to develop something new the patter leads the sleight eg I am working on a Ramboldi trick (any Alias fans out there?) and it revolves around the number 47 and the Tiger deck. Accordingly I am spending time trying to get the words down whilst also working on the moves - the story is definately leading the trick though.

I also try to spend time each day simple practicing card moves to sharpen up my skills and stop me dropping the little buggers all over the floor...

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Postby Michael Jay » Jul 20th, '04, 19:24

As already stated, it is a personal thing as to how long any effect is worked on before it is unveiled to an audience. Some things come quickly and naturally, or are just slight changes to something that you already do and therefore come easily, and so will make their way to the light of performance quickly. Other things will be difficult and will take, quite possibly, months before they are used.

As an example, when I bought my micro cups, I didn't perform them for an audience for 6 months. That is how long it took me to come up with a presentation that I was happy with, even though I'm a good hand at single cup and ball effects. Presentation held me up, rather than technical skill. Each trick or effect must be approached seperately.

I think the important thing here is not how long you wait before presenting an effect, but how you work on evolving that effect once you start performing it. Even though you may be happy with your presentation and all the work you put into it, it still may not be 100% entertaining or liked by your audience. So, you keep the parts that work a treat, and cut out the parts that don't seem to be well met (and, you cut them with extreme prejudice, even though it may just kill you because it was your favorite part - the audience's reaction is more important that your personal opinions and emotions).

I hope this was of some help.

Mike.

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