by Mark Wynn » Mar 23rd, '12, 14:22
I’m back again with further thoughts on creating a good showreel that I assume is to be placed on the magicians website. I might as well mention that video is my other ‘hat’ (as a semi-pro,) so can talk a little on that aspect.
Now the subject of video is as vast as magic itself and I can only make a couple of brief observations. There are the two aspects of video. The actual picture and – frequently neglected – the sound. A pro team covering someone performing close-up magic to the public at (say) a wedding or banquet function and all the other events we cover will, at the very least, have the cameraman and a sound man with the mic perhaps on a boom pole so that the mic can be placed as near as possible to the speaker. Yes, of course, this is totally impractical in the majority of situations and it goes without saying that the cost of hiring a pro video team will be out of the question for most. Therefore we come down a peg or two and use just one camera operator with the built-in mic on the camera. Most likely an amateur friend.
These days there is a vast array of small camcorders that will give excellent picture quality but sadly do not have the specifications and controls for first class sound recording in difficult circumstances. Here is an example. The camera operator is filming the magician performing on the other side of a large table at a banquet. The other diners will be very close either side of the camera and with the speaker some distance away. The resulting recorded sound will be the laughter and banter from the spectators whilst the performers speech almost drowned out because he is far away. Our ears are selective in what they hear but a mic on camera will record exactly what it hears. This is just a generalisation of course. One way around this problem is for the performer to have a tie clip mic and radio transmitter back to the camera but this is a bit out of the amateurs range generally.
As mentioned earlier, approach a local video club and explain your needs. I’m sure they would be pleased to help and advise. If you do have a friend with a small camcorder then get them to take lots and lots of footage. Each time they see the same routine they will have the general idea of what to expect and film accordingly. You may well get some clips where the audio is quite acceptable. Tell them to film lots of audience reactions. Don’t bother with ultra close-ups of finger flinging but general views of the magician entertaining the onlookers and don’t bother with recording long complete and complex routines.
It has been mentioned in one posting about filming in very low light. Modern cameras can record in low light but far superior results will be obtained in brighter lighting. It's also worth a mention about having a few visual effects rather than complex mental routines that have little to actually see and might not come over well. Visual effects like Rising cards, money that appears, sponge balls that suddenly appear, Chop Cup climax and so on.
It’s important to be present at the editing stage so that you can select the most appropriate sections from all the clips you now have in the can. Hope this is of a little help.
Thanks for your reply Magic Bill. I do understand now. Mark.