Discombobulator wrote:Junk is readily available and recognisable. People know how a tick-tack box works because it a familiar object.
I have one of those brass containers then cleverly hides coins but I never use it. To me it screams of clever engineering.
Ladies and gentlemen here is an ordinary brass container, just like the type you all have in your pockets or handbags !
Precisely. Flashy, expensive-looking props are good for a stage performer, because the spectacle is part of the show (and, if we are honest, audiences are under no illusions about how innocent such props are). The performer in those instances also has the advantage of distance physically, which I think partly translates into a psychological distance. The audience mentally "steps back" a pace. I don't mean that you can do whatever you like without question, or that they will never be suspicious of props, but they can't interrupt you, can't get a closer look, can't inspect the props. I think they buy into the show a little more because of this; they relax because they have to. You can't be out for a few drinks with friends and produce a large wooden drawer box painted with a dragon and expect the same sort of reaction.
On the other hand, a lot of these tricks using "junk" fall down because they just don't make sense. The one with the blister packed gum in particular seemed to have no significance.