
Markdini & others interested;
If you don't watch out you'll be caught up in the CUPS Club; ie buying everything in sight and never using any of it; or very very little of it.
What you need to do is look at Luke Jermay's book( or another author's) and take ONE effect YOU LIKE. Work on that, play with it, routine it to your style then try it out a number of times. Only then will you know if this fits your Act or performance. But don't go buying and buying.
So-- with the Jermay books take say,
From 7 Deceptions, 'For Andruzzi' ( the pulse stopping) which is brilliantly detailed or
From Building Blocks. 'A Remote castle' or
From The Coral Fang, 'Touching On Hoy'
These 3 should be well within the compass of a good magician.
BUT...Only ONE of these till you have tried it out in performance thoroughly and then the others.
Avoid anything in any book which may be personal to that author's style or personality. It may not fit your style or your personality.
Study their approaches , philosophies, audience handling etc. as well as their effects.
This way you will avoid that cupboard full of material( props and books) which will lie there years, gathering dust. And you'll be a richer magician.
Finally: Performers like Jermay, Banachek, Knepper are highly individualistic. Ask yourself. Are you? And are you experienced enough to take on board their always mysterious theatrical and often very brilliant material.?:
Allen Tipton
Began magic at 9 in 1942. Joined Staffs M.S at 13. Nottm.Guild of M. (8 times President. Prog Director 20years)IBM. Awarded Magician of Month 1980 By Intern. Pres. IBM for reproducing Dante's Sim Sala Bim. Writes Dear Magician column for Abra. Mag.