by Michael Jay » Jul 10th, '07, 17:03
I believe the definitive scene of this movie is near the end, when Billy (who stutters terribly) gets laid and in the pleasure that follows loses his stutter. Nurse Ratched then dominates him, threatening that she will tell his mother, and Billy's stutter comes back with a vengeance. As a result, Billy commits suicide, which leads to McMurphy exploding in a fit of violent rage and attempts to kill Nurse Ratched.
This seems to point up the fact that these institutions, left unchecked, tend to do more harm to the patients than good. In fact, the moral seems to be that most of these people can cure themselves and that maybe, just maybe, the ones who are the real problem are the ones who are supposed to be helping the patients to begin with.
Ultimately, of course, they decide that McMurphy is simply too dangerous an individual and beyond help, so the give him a full frontal lobotomy.
It is the Chief who ultimately flies over the cuckoo's nest when he throws the marble hydrotherapy fountain through the window and runs off to Canada. Oddly, we sympathise with the Chief when he kills McMurphy because he will not allow him to continue living as a shell of what he was and what he stood for. This is also an important part of the movie, because we view the euthanising of McMurphy as being a good thing, rather than murder - which is what it was.
And, that sets up an interesting paradox:
Was the Chief a murderer, or was he doing what any of us would have done in his situation? Was it right or was it wrong? This is an important question that must be answered but something that we simply don't want to dwell on because the answer might stir us to unrest come the evening time...
All in all it is difficult, at best, to name a specific scene that is indicative of the entire movie. There are a great many points made in the whole of it and to try to boil it down to one, specific scene as being definitive is not easily achieved.
It is easy to see why this movie took 5 Academy Awards that year and is listed as #20 of "America's greatest films" by the American Film Institute.
Mike.