Pretty nice. I liked this one.
First of all,
Your pass is brilliant._
I know the counting thing is absolutely vital misdirection and actually blends with the first effect, but I generally don't like it when the audience is bewildered. They tend to think "Well how did he do that?" and then they say to themselves "well maybe I just wasn't fast enough to notice when he took it out of his hand because of the counting". So they feel that the technique is somewhere over there but they just didn't notice and that's it's not really a big deal.
However, performing the trick for a second time fixes things.
Either way, the second effect (a classic.....

) is quite well performed in my opinion. It flows slowly, there is nothing fast and tricky to it and the spectator/volunteer can take his time to actually realize where each ball is only to be amazed with the "teleportation" (if you'd like to call it that way...).
Bey the way, the ending creates suspense. It is a nice revelation.
One more thing concerning the ending.
I usually handle this trick I bit differently.
I place the sponge in the spectators hand. I never suggest anything about the teleportation thing (apart from stretching the fact that the spectators hand must be tightly closed in order to block access and exit of any object during the effect.) I just give the spectator the sponge ball and then I focus on making my sponge ball disappear (which is by itself quite impressive with both hands clean and no strange movements).
Then I usually get that killer question:
"where did it go??"
And as everyone has almost forgotten the spectators hand, I modestly reply:
"Open your hand....."
They usually get a BIG shock. Then I let them mumble their non-coherent phrases for about 30 sec. Then they stop and stare to nowhere.
This is a very common reaction to this handling, although it varies according to the spectator.
I hope I have been of assistance. Keep it up.
And once again.
GREAT PASS!!
