Ok... I'm betting you're still in High School (possibly younger), so why don't you sign up for shop class and LEARN HOW to do the cabinet work yourself? That is what many of us have done, either while in school or as an adult taking night classes or weekend workshops or (this one's killer) serving as a helper with a real cabinet maker that can help you learn the craft while making a bit of money to help you build what you're wanting.
As I've explained to you previously even in building your own pieces you can expect to have well over $1,000.00 tied up in each effect; the last Thin Model Sawing Cabinet I built had just over $1,500.00 in materials tied up in it... Shadow Vision, when Kenny and I first brought it out, cost us over $5,000.00 per unit to build +.
I've tried to talk with and guide you but you seem to not want to listen to those of us that have done this sort of work; Dale and I having been around the block more than a few times when it comes to the world of stage magic as well as magic history. So I guess my question is, do you really want to learn about this field or are you just wanting to have things, just to have them?
Have you taken time to weigh all of the headaches associated with grand illusions?
Have you taken time to consider what YOU need to learn and know, including thespian based skills, that will be required for presenting a solid Illusion act?
As to your question... you are in North America e.g you best bet is to work with the American builders. The ones closest to you would include Abbotts in Colon, Michigan... I believe there's a few in New York State as well as Pennsylvania but I'd have to do some research as to who they are and the quality of what they sell, etc.
The other thing is money... you must have at least half the money the prop will cost up-front when you order the item with the balance due prior to delivery. In most cases that's about 6-8 weeks after the order has been placed, it may differ given the time of year. Many noted builders get slammed with orders this time of year for the needs of summer tour shows and theme parks so an order right now might now be seen before late June or July.
The other side of the money issue includes costumes, storage, rehearsal space, insurance, transportation for the props/crew/and support equipment...
Support Equipment?
Oh yes! Lighting, Sound, Microphone system, back-stage communication systems, etc. On the low end you are looking at around $5,000.00 for a decent sound system that will do you well in the typical High School styled facility to VFW Hall... another $5,000.00 or so for
basic lighting and at least that much more for decent sets/curtains and proscenium blocks... add to all that two other important items; ATA Cases for each effect (some require two or more cases @ an average cost of around $1,200.00 each depending on size, etc.) Then you of course need a truck or van big enough to transport it all... and anyone that's owned a car knows how expensive that can get.
A "small" illusion act with 5 large feature pieces (stock) and about the same number of "Illusionette" pieces such as the Lake Head Chopper, a few smaller bits... figure it at 45 minutes in running time will entail a personal investment of between $35,000.00 and $60,000.00 depending upon which effects you go with and the source (home built, purchased used vs. new from a noted source, etc.) That don't include the additional $15,000.00 or more you must invest into video (not home made... professional quality only) and close to the same for a press kit, mailings and just getting started.
I'm not trying to bust your balls, I want you to understand what this kind of act involves on the very realistic front... the scary thing is, I've not even touched upon the real nasty stuff yet, such as how freak'n heavy these systems are and how often it will be just you putting things together and setting up the show then tearing down the show, packing the truck and driving 3 or four hours down the road to your next gig, getting maybe 3-4 hours sleep before having to do it all over again. I've not pointed out how you must still go out and do this when you are running a high fever, have busted knuckles, an aching back and all the other joys that come with THEATER!
She's a horrid and vicious mistress that will beat you to a pulp, which is why the majority of folks never make it past that first year or two... many, less than that; especially when they discover that IT'S A JOB!
Now I've offered to help you out, but I do expect you to get a bit more realistic as to what your capabilities are physically as well as economically. Your enthusiasm is great but it's blinding you. Even if you can afford to buy it all, it doesn't mean you have what it takes to "do it"... that takes tons of dedication, patience, humility and the willingness to be willing to learn... to LISTEN and let other more experienced people guide and mold you in a way that will give your dream life... Not me but the choreographers, directors, script writers, acting coaches, etc.
Look up FLASH... the guy with the Gorilla... ask him about focus and creativity.
Think it all over... come down to earth and let those that have offered to put you on the right course, help you.
