by Serendipity » Sep 9th, '08, 13:52
I may be wrong, but I think it's Banachek who says at the start of Psychological Subtleties that "if people believe you can do the things you say you do, there is no wonder. Oh, that dude that can read minds just read someones mind, fair enough." (That quote is of course in no way accurate, but it's the jist of what he was saying)
Personally, I don't see a reason to ever explain how an effect is done, because the explanation is NEVER as impressive as the effect itself, so why not leave them guessing? Of course, there's nothing wrong with dropping "hints" as to how it's done, but isn't it better to let the spectators mind go into overdrive picking up on everything you say?
To use the memorised deck example, when you have found out what there card is (or "guessed" it if you are using a Sven) then you needn't go "Haha! Having memorised the deck I can tell you, despite you cutting and mixing the cards, that it is here!" when you can just think a bit, and in your head make it seem like you're replaying all those cuts and mixes, then just go "About 24th?" then cut/count to their card. The effect is the same, and in fact the excuse is the same, but this way you don't have to worry about the spectator going "I think it's impossible to keep track of all those cards, there must be a trick", because as far as the spectator is concerned you've just done a trick, but the quick witted and observant spectator has glimpsed how you do it, and will work the rest out for themselves. This flatters the audience member, and makes them feel clever for working out how you did it. It's like you're letting them in on a secret, which helps break down the idea that the magician is challenging you, and instead that they are showing you something amazing.
There is a very important lesson in story telling and script writing that I think applies to magic very well. Show, don't tell. Why tell someone what amazing mental faculties you display when you can just show them? It relates to the old rule in magic, Never tell the audience what you are about to do. To use the Derren Brown example in the link above, he never says "I will make you turn over the same card", or "I will use my powers of suggestion to make you turn over the same card", he let's the audience decide that for themselves. In fact, Brown displays it as an act of coincidence. Now the audience KNOW it isn't coincidence, as do Mr and Mrs Ross, but there's no need to tell them how it is supposedly achieved using suggestion or psychology, because look at the feeling of wonder it creates.
Sorry, this post is getting very long. I'll try and be quick.
A lot gets said about the difference between magic and mentalism, and how radically different they are and how they don't belong in the same act, etc etc etc. Personally, I think that's ridiculous. Mentalism is magic that is themed around the mind. That, in my book, is the only distinction. It's how you dress it up that makes the difference. Tell most people in the street that you are a mentalist, they'll think you're telling them how crazy you are. It is not a term known by the public, they still class us all as magicians because at the end of the the day we all just do tricks. And what is wrong with that? Having read Alchemical tools, I could not disagree more with Mr Brook's idea that you should distance yourself wherever possible with the image of a magician. I don't want people to feel like they're in a psychology experiment, I don't want them to think they're doing some sort of test, I want them to be amazed and entertained. But that is a different rant...
We are all the same at the end of the day. Derren Brown is a magician. He's a very good magician, and perhaps some people don't realise he is, but he's still a magician, like the rest of us. To any mentalists out there who baulk at this labelling, I apologise, but unless everything you do involves genuine psychology and psychic power, and at no point do you bend the rules even a little, then in my book you're still a magician.