by Part-Timer » Jan 6th, '05, 15:19
A few points:
1. Things are up to date because people update them. While there are sometimes brand new ideas for doing things, a lot of the time a new routine is just something old being given a new context, a twist, an updated story, new props, or a new look.
As such, just because Corinda's books been around a few decades, don't dismiss it. After all, people are still using stuff Anneman wrote about and that's even older material. Richard Osterlind's latest DVD series features modern interpretations of Anneman effects.
2. If you don't want to try to update stuff yourself (and I can't really blame you for this), then the books taneous suggested are good, but note that a couple aren't that new.
I don't think there's been a new definitive book on mentalism in ages. I feel I should offer a warning about 'Mind, Myth and Magick', which is that a lot of the material in it is believed to be impractical or unworkable. However, it's a huge book and there's lots of good stuff there.
Have a think about getting 'Building Blocks' by Luke Jermay. There's not a huge number of effects in it, but some very interesting ideas.
'The Artful Mentalism of Bob Cassidy' has just come out and is very good. It might well end up being that new important book. It's actually a collection of Bob's written works since the mid 1980s.
A lot of good mentalism stuff can be found in DVDs. Richard OSterlind has two four volume sets, Banachek and Marc Spelmann have also got four volume sets, while Max Maven's has three, each devoted to a different type of mentalism (close up, parlour and stage). Bob Cassidy and Luke Jermay also have DVDs, as does Andy Nyman. Larry Becker has done two DVDs, but these won't be what you are after, if you like Derren's style.
3. That's really what it boils down to; what's your style? Yes, you like Derren's material, but is it really you?
The answer to that question will give you an idea of where to go to next.
By the way, I forgot Kenton! He's written loads of stuff and it's rather difficult to point you to any one in particular. He is an acquired taste (although I like a lot of his stuff). I wouldn't go there right now.