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Renato wrote:It's very possible, Thomas Wayne Fraser, to accomplish the effect you are after - my method was published in Peter Duffie's "Mind Blasters II" if you're interested in checking it out.
Before you do so I should say that I designed it as a close-up effect, and only ever perform it as such - not too sure how well it would translate to the stage.
The method is a healthy balance of sleights (not quite) and psychology so it might not be to your taste, but the effect is that your Participant somehow knows the serial number of the note they've been holding onto the entire time.
So as written it might not be for you, but it might give you some ideas... or you might find one of the many other effects in the book to be to your liking! At the very least know that what you are after can be accomplished.
Lawrence wrote:What are the chances we could actually get everyone to just start ignoring this?
Klangster1971 wrote:Lawrence wrote:What are the chances we could actually get everyone to just start ignoring this?
It reminds me of the thread in the Doves Heads last week about trying to pay your debts by using the giro slips that are provided at the bottom of payment reminders...
It became like picking a scab!
Eshly wrote:
I have Mindblasters two... and it doesn't work.
The public are not stupid, the method relies upon people NOT NOTICE what numbers your spectators say - which they do. The idea that people won't notice that the spectator says "2, 4, 7, 8, 9, 3, 5" and the ACTUAL serial number is "2, 8, 3, 9, 4, 5" is rediculous.
Klangster1971 wrote:Don't lock it yet.....!
If my suggestion of getting a serial number from an unknown spectators banknote into a hanging envelope above the stage suits Tom's needs - I am willing to tip the method to Tom (privately, of course) in return for a heathly donation to Sports Relief.......!
Maybe I'll even publish it myself - Having thought about little else for the last hour or so, I reckon I could come up with a cracking set of lecture notes just on closing routines!!!
Klangster1971 wrote:Don't lock it yet.....!
If my suggestion of getting a serial number from an unknown spectators banknote into a hanging envelope above the stage suits Tom's needs - I am willing to tip the method to Tom (privately, of course) in return for a heathly donation to Sports Relief.......!
Maybe I'll even publish it myself - Having thought about little else for the last hour or so, I reckon I could come up with a cracking set of lecture notes just on closing routines!!!
Klangster1971 wrote:Maybe I'll even publish it myself - Having thought about little else for the last hour or so, I reckon I could come up with a cracking set of lecture notes just on closing routines!!!
Eshly wrote:Klangster1971 wrote:Don't lock it yet.....!
If my suggestion of getting a serial number from an unknown spectators banknote into a hanging envelope above the stage suits Tom's needs - I am willing to tip the method to Tom (privately, of course) in return for a heathly donation to Sports Relief.......!
Maybe I'll even publish it myself - Having thought about little else for the last hour or so, I reckon I could come up with a cracking set of lecture notes just on closing routines!!!
I somehow suspect this is sarcasm... but as always I'm never sure
Mr_Grue wrote:Klangster1971 wrote:Maybe I'll even publish it myself - Having thought about little else for the last hour or so, I reckon I could come up with a cracking set of lecture notes just on closing routines!!!
I love those moments. Someone poses a problem or makes a suggestion, and the solution just unfolds in your head. And if you've created it, it will be yours in a way that anything anyone else has devised will never be. It's interesting; so many people ascribe to the idea that you have to be totally comfortable with the material you use, inside and out, in order to convince in what you're doing. Using other people's material is always at least a challenge to that, like wearing someone else's shoes. No matter how well they fit, there'll never fit like your own.
Eshly wrote:I know few people who can forget what letters are said - even small children can remember two letters.
Renato wrote:Eshly wrote:I know few people who can forget what letters are said - even small children can remember two letters.
This is true - and the effect is designed to accommodate that. I'm sorry, but I'm not going to have an armchair mentalist expose, dismiss and then ridicule an effect which which I know works.
If you're really fussed I'd be happy to discuss it with you via PM, but it seems to me like you've read it, extrapolated the basic method and ignored everything else that's going on in the effect. And then come onto TM to expose what you think the effect is about.
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