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MWGrubb wrote:Just found this wonderful site and looking about! Thanks!
I worked with Docc Hilford, Brian Flora, and Richard Webster, closely in the late 1980's. It was at this time that Jack Dean, editor of the Mentalist, got me started in mentalism. Jack lent me his books by Nelson, and I was on my way.
I spent a lot of time with Docc and Richard, so they colored my approach to doing mentalism. I always tried to be charming and friendly, yet knock people off their chairs. Mentalism was a real treat for me simply because I didn't have time to learn intricate sleights, but I could speak well and was well versed in performing at that time.
Because of my work with Brian Flora, i got to become friends with Tony Andruzzi at that time as well. Ha! Think of the conversations I had with Andruzzi, Webster, and Hilford all at the same table over dinner!
In any case, I got to learn the value of simplicity, guts, and theater. You've got to have these elements to be successful in mentalism.
Warmly,
Millard
gwh123 wrote:Oh and I don't think Rowland is especially cynical. And I don't understand people who take the "Psychic Baiting" chapter seriously; it's quite clearly tongue-in-cheek.
mark lewis wrote:Ian Rowland knows as much about psychic readings as I do about the art of breeding Japanese butterflies.
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