by Dominic Rougier » Dec 5th, '10, 17:23
When I do book tests, which is rare, I tend to use one of three:
Chan Canasta's
Variations on David Hoy's
Variations on Marc Paul's
The main flaw with all of the above is that you need to get your hands on the book, to a greater or lesser extent - the Hoy handling is very light, and the others can be made "psychologically invisible" to some extent, but you still have to touch the book.
Non-touch handlings include:
The Mother of All Booktests is a wonderful hands-off method, which is perfect for stage use. It can be used close up, but it's a little weird. There is one major weakness with this, but it can be easily be routined out with a little thought.
Richard Busch's "The Little Mother Booktest" is also pretty wonderful, and hands-off. It's not as direct as the above, but it has its advantages.
It's worth mentioning Tomo's Naked Book Test here - it's a rather wonderful concept, albeit not my first choice for actual performance, personally.
Your reality, sir, is lies and balderdash, and I'm delighted to say that I have no grasp of it whatsoever.