magicj wrote:Why does it matter how easy somthing is to perform. Bandana is not my sort of trick but it can get very big reactions!
It's not about ease, it's about the spread of the already pervasive laziness of magicians. It
is an entertaining routine, but whenever another goddamn magician does it step by step, action by action identically to the previous 567423768 magicians who do it the same way as well...
In Teller's foreword to Eric Mead's "Tangled Web", he comments that the number one criticism of other magicians he receives from lay people is that magicians are all the same. And let's be honest, many of us are. Too many of us are too lazy to actually put effort and work into new routines. We find a script that we like (often the first script for whatever trick we learn-- usually lifted off a DVD these days) then perform it verbatim. The bandana trick is the epitome of this problem, since it's done to a
recording!. No new jokes, no new timing, no new anything. Just a photocopied routine.
It doesn't have to be this way though.
Tomo wrote quite often that the way to fool an audience of people who know a few methods is to completely take apart the routine and put it back together to fit your own vision. This process can help with creativity and originality as well. Watch Brian Brushwood's live performance videos. He takes the concept of the bandana trick-- learning a trick in front of the audience via audio recording and failing-- and adds his own personality to it. He uses the same concept to a different trick and adds innuendos and blood.
So rather than using the routine exactly as originally scripted, take it apart and adapt what you like to fit your own personality and standards.
That, or suffer being one of the unoriginal magicians people complain to Teller about.