ACAAN

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ACAAN

Postby C.L.Ward » Aug 8th, '11, 23:33



for those of you who perform the effect, which version do you use??

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Postby Amira » Aug 8th, '11, 23:48

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Postby C.L.Ward » Aug 9th, '11, 00:03

pretty slick sir

im guessing that had to be a force though right?

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Postby Alfred Borden » Aug 9th, '11, 00:03



WOW - very good!

Are you watching closely? Then I'll begin...
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Postby C.L.Ward » Aug 9th, '11, 00:06

i dont want to get told off for exposure so would you be willing to answer a few questions via PM Amira.....

not going to pester for how its done, im 90% sure im right but if im wrong i guess ill have to keeo wondering :)

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Postby Lawrence » Aug 9th, '11, 08:35

One way deck.
Sorted

Custom R&S decks made to specification - PM me for details
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Postby MatthewJackson » Aug 10th, '11, 16:11

Great ACAAN. Are you sure this is completely original? Im sure I have seen an ACAAN like this before...

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Postby Mancunian Lee » Aug 10th, '11, 16:34



Thats brilliant, genuine magic :D

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Postby phillipnorthfield » Aug 10th, '11, 16:36

I've just started using Method #1 from Theatre of the Mind. Needs a LOT of work, but it's very clean. Other than my own method, Colins ANAAC and Patrick Redfords 'Hands Off' though, I don't know any other methods so can't say how it differs.

Method #2 has piqued my interest and the possibilities for stage work are endless.

P.S Great Version Pablo. V.Clean

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Postby me_simon » Aug 10th, '11, 17:28

Pablo - that version is amazing. I have no idea how you did that. Clearly I need to do some more reading as I haven't learned any ACAAN tricks yet but my tiny little mind has been bent. Brilliant.

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Postby Amira » Aug 17th, '11, 02:50

Thanks for your word guys.

Some of the top names told me that wait the release of my ideas in ACAAN .


In the future could happen that.

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Postby Mr_Grue » Aug 17th, '11, 06:57

I'm currently playing around with Barrie Richardson's version from Curtain Call and David Berglas's. Pat Redford's is worth a punt too. As is Jon Born's. Born's is probably the most surefire and clean, but the most difficult to actually perform. I never found the right motivation for the dirty business, but perhaps I didn't try hard enough.

Amira, I wouldn't release yours until you've decided never to perform it ever again.

Simon Scott

If the spectator doesn't engage in the effect,
then the only thing left is the method.


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Postby Heckler » Aug 17th, '11, 09:11

Tommaso Guglielmi's Subtle Scam is another one that I've read but unfortunately haven't had chance to study or perform yet.

Gets good reviews over at the Green Place if that means anything.

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Postby Lady of Mystery » Aug 17th, '11, 10:35

Lawrence wrote:One way deck.
Sorted


That's my way too :D

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Postby Razzo » Aug 17th, '11, 15:35

I do Rapscallion easy and impromptu.

Raz.

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