by Michael Jay » May 30th, '08, 15:52
Okay, I'll swim against the stream here since noone else seems to want to do so...
Any magic that you do has nothing to do with the gaffes involved. For example, and since it's been brought up, the moving pip:
You show the card openly, then put your thumb on the pip and move it to another spot. They see the card, they see no change, but you put your thumb on it and move it. Then, you put your thumb over the next pip and move it down to the others...They are watching the whole time, but the card is obviously not gaffed, even though it is a rather odd looking card.
Then, under their scrutiny, you do it yet again!
At this point, you've moved three pips down to the fourth and hand them the card to examine. It is obviously not a special card, even though it is rather wierd looking.
Can you not come up with a good presentation for that effect? Can you not come up with a reason that these cards are odd looking or special? Particularly if you can hand that card to them at any time during the routine and nothing is there to find?
I think that I can.
"The true skill of the magician is in the skill he exhibits in influencing the spectator's mind. This is not a thing of mechanics. It is not a thing of digital dexterity. It is entirely a thing of psychological attack. It is completely a thing of controlling the spectator's thinking. Control of the perceptive faculties has nothing whatever to do with it. Convincingly interpreting, to the spectator, what the senses bring to him, in such a way that the magician's objectives are accomplished, is the true skill of the skilled magician." -Dariel Fitzkee- ("Magic by Misdirection")
On a side note - I'd never buy any of the gaffed cards in question myself. But, that isn't to say that a truly creative individual cannot make good and magical use of them.
Mike.