Why Pass?

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Why Pass?

Postby magicollie » Oct 12th, '11, 20:57



Hi Everyone,

I personally think that is a there are other methods of achieving the same outcome as the pass but without the months of practice. For example, If a spectator selects a card and return it to the pack and you need to control the card to the top why would you perform a pass instead of a double undercut? If someone is watching your hand careful they will see the move unless you have practiced for years. In my opinion, the pass is one of those moves which we show to other magicians to show our skills but there are other more practical methods in the real world. The old expression: " why run when someones not chasing you" come to mind. Would love to hear what everyone else thinks, thanks.

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Re: Why Pass?

Postby sleightlycrazy » Oct 12th, '11, 21:12

Because a pass has a different 'effect' to the audience. To borrow fro Darwin Ortiz, when you do a pass, the audience believes their card is in the middle of the deck. If you do a cut or shuffle control, they believe their card is lost in the deck. To us magicians, it's the same; the card is on the top/bottom. To the spec, there is a world of difference. If you do a double undercut and reveal that their card is on top, odds are, you won't get much of a positive reaction. If you do the pass and show it's on top, your audience will be amazed (provided you do so with proficiency). This difference justifies the existence of the pass, side steal etc. IMO.

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Re: Why Pass?

Postby hds02115 » Oct 12th, '11, 21:23

I'm going to jump in here and say my bit. I do think that the pass is one of the moves people overly concern themselves with rather then practicing other sleights, but I do believe it to be a useful move and one not to be excluded. I feel much the same as you do about the DL, but with the pass, it's not the same.

Firstly, the example of controling is only one thing you can do with a pass and I would probably agree with you that there are other more effective ways to control a card however that doesn't mean you should right the sleight off for that. Also with your comment on your pass being spotted, it shouldn't be if you're performance is decent. This sleight isn't ment to be done in veiw, it's done while you're talking/gesturing/moving. The list goes on. This leads me to my issue with the move. Like I said, I wouldn't get rid of this move from my bag of tricks, but I do believe people put way too much enphasis on "learning an invisible pass". Your post here kind of makes me think that because you haven't been able to perfect an invisible pass you're giving up on it. This sleight isn't ever going to be perfectly invisible because like I said before, misdirection misdirection misdirection.

Anyway, I'm not trying to pass jugment on your abilities by this reply, how could I without seeing you perform. I was just droping in my opinion after reading this topic.

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Re: Why Pass?

Postby magicollie » Oct 12th, '11, 21:27

hds02115 wrote:I'm going to jump in here and say my bit. I do think that the pass is one of the moves people overly concern themselves with rather then practicing other sleights, but I do believe it to be a useful move and one not to be excluded. I feel much the same as you do about the DL, but with the pass, it's not the same.

Firstly, the example of controling is only one thing you can do with a pass and I would probably agree with you that there are other more effective ways to control a card however that doesn't mean you should right the sleight off for that. Also with your comment on your pass being spotted, it shouldn't be if you're performance is decent. This sleight isn't ment to be done in veiw, it's done while you're talking/gesturing/moving. The list goes on. This leads me to my issue with the move. Like I said, I wouldn't get rid of this move from my bag of tricks, but I do believe people put way too much enphasis on "learning an invisible pass". Your post here kind of makes me think that because you haven't been able to perfect an invisible pass you're giving up on it. This sleight isn't ever going to be perfectly invisible because like I said before, misdirection misdirection misdirection.

Anyway, I'm not trying to pass jugment on your abilities by this reply, how could I without seeing you perform. I was just droping in my opinion after reading this topic.


Thank you for the comment. My pass is good but not great and I have not desire in trying to perfect the move. I realise that the pass is meant to be performed on an offbeat with misdirection but there is a rare occasion where someone happens to see it unlike other methods of controlling a selected card.

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Re: Why Pass?

Postby hds02115 » Oct 12th, '11, 21:44

Well there aren't any perfect sleights even after a life time of practice and performance. Someone could always just happen to glance even by accident and glimps the move in action. I know I kind of went off on a little rant but basically what I was trying to say is that it has it's uses and it's place in card magic. I do believe though that people, paticulally new magicians overly concern themselves with practicing this move at the expence of learning other fundimental sleights and theory.

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Re: Why Pass?

Postby V.E. Day » Oct 14th, '11, 19:49

If you secretly crimp the card when the spectator puts it back in the middle of the deck you can hand the cards to the spectator for shuffling and then bring the chosen card to the top by riffle shuffling them when he returns them to you. Just make sure you hand the cards to him with the crimp towards the floor as you hand them to him so that he doesn't spot the crimp.

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Re: Why Pass?

Postby hds02115 » Oct 14th, '11, 20:06

V.E. Day wrote:If you secretly crimp the card when the spectator puts it back in the middle of the deck you can hand the cards to the spectator for shuffling and then bring the chosen card to the top by riffle shuffling them when he returns them to you. Just make sure you hand the cards to him with the crimp towards the floor as you hand them to him so that he doesn't spot the crimp.


If I'm to do something similar to this where I need their card but want to have them shuffle I'll just control the card and palm it off before handing the deck out to be shuffled.

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Re: Why Pass?

Postby jim ferguson » Oct 14th, '11, 21:54

Handing the cards out to be shuffled only to take them back and further shuffle them yourself, totally negates the point of the spectator shuffle.
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    Re: Why Pass?

    Postby hds02115 » Oct 14th, '11, 22:11

    jim ferguson wrote:Handing the cards out to be shuffled only to take them back and further shuffle them yourself, totally negates the point of the spectator shuffle.
      jim


      Well if I hand the card out to be shuffled I don't then take them back and shuffle them. My aproach to card magic is hands off and as free from man handling the deck as possible so if I hand the cards out, normally that's where they'll stay for the majority of the routine. If I take them back it's not to re-shuffle them, you're right that would be silly.

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      Re: Why Pass?

      Postby jim ferguson » Oct 14th, '11, 22:24

      hds02115 wrote:Well if I hand the card out to be shuffled I don't then take them back and shuffle them.

        I know you dont. My response was to the post above yours :)


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        Re: Why Pass?

        Postby hds02115 » Oct 14th, '11, 22:38

        No worries then.

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        Re: Why Pass?

        Postby V.E. Day » Oct 16th, '11, 13:53

        jim ferguson wrote:Handing the cards out to be shuffled only to take them back and further shuffle them yourself, totally negates the point of the spectator shuffle.
          jim



          No it doesn't.

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          Re: Why Pass?

          Postby jim ferguson » Oct 16th, '11, 15:39

          V.E. Day wrote:
          jim ferguson wrote:Handing the cards out to be shuffled only to take them back and further shuffle them yourself, totally negates the point of the spectator shuffle.
            jim



            No it doesn't.



            Care to explain ? After all, these boards are for discussion.


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              Re: Why Pass?

              Postby V.E. Day » Oct 16th, '11, 20:41

              Shuffling mixes the cards up. If two people shuffle them then they are mixed up twice as much.
              Isn't that obvious?

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              Re: Why Pass?

              Postby jim ferguson » Oct 17th, '11, 00:32

              V.E. Day wrote:Shuffling mixes the cards up. If two people shuffle them then they are mixed up twice as much.
              Isn't that obvious?

                I see where you're coming from but you are looking at it the wrong way. If two spectators were to mix the cards it would be seen as a good mixing. When one of them is the magician, and the magician shuffles AFTER the spectator then that puts a different spin on things. To the spectator the cards ARE well mixed, after all they've just shuffled them - why then would the magician need to shuffle them further ? Usually to do something sneaky. Which is exactly what any intellegent spectator is going to think. Laypeople are far more intellegent than many of us give them credit for (sometimes :) ). They know fine well we're manipulating the cards.
                Usually the point of the spectator shuffle is to prove without saying so that the cards arent prearranged, or that a selection really is lost at a position unknown to the performer. To then change the positions of the cards yourself afterwards negates (as i said above) the point of the spectator shuffle. You are no longer doing something from a spectator shuffled deck, you are doing something from a deck that YOU shuffled. Rather than being seen as an extra shuffle and the cards being well mixed, it will be seen as you doing something which is necessary for the effect you're about to perform.

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