by Robbie » Dec 14th, '11, 14:01
Listen to audiobooks -- both well done and badly done.
A good audiobook narrator brings the story alive, giving the right emotions to the narrative sections and making sure each character has an individual voice (not the same as doing a load of accents). Listening to these narrators, and analysing what makes them enjoyable to listen to, can show you how to do it right.
A bad narrator speaks flatly or erratically, expresses no emotion or emphasis (or the wrong ones), and fails to distinguish between characters. He may be perfectly clear in his pronunciation, but you're never allowed to forget that he's reading words from a page. Analysing these narrators can show you things to avoid.
As a subscriber to Audible, I get an audiobook a month, so I've built up a small library by now. Some are breathtakingly good, others astoundingly bad. Just last night I struggled to the end of a wonderful Ellery Queen novel read by one of the worst narrators in the business. Every single sentence had exactly the same flat inflection, no matter whether it was "The dawn came up gradually, casting its pale beams over the silver sea" or "Oh my God, don't kill me".
Also from my audiobook experience, I can confirm that there's a difference between acting and storytelling skills. I have some of Agatha Christie's Poirot stories read by David Suchet himself. He's superb at the dialogue, and does a wide range of believable voices for the different characters, but he's not particularly good as a narrator.
"Magic teaches us how to lie without guilt." --Eugene Burger
"Hi, Robbie!" "May your mischief be spread." --Derren Brown
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