Tomo wrote:When all's said and done, it's entertainment. The punters don't get the subtle nuances, they just want amazement.
So you think Malcolm Gladwell's book
Blink was a load of cobblers, then?
You can get extremely good reactions by mixing all sorts of things together in one performance. What is impossible to know (or almost impossible, I suppose it could be tested with a reasonable degree of accuracy) is whether, by doing something in a different way, you could have better reactions.
For example, magician does a card trick, then produces a full glass of water, then reveals a word chosen at random from a book. All three get applause and the audience enjoys the performance. A mentalist asks a spectator to tell him what number is written on a business card, then divines which of five audience members is holding the differently coloured pebble, then reveals a word chosen at random from a book. Do both performers get the same response to the final trick? It's very difficult to gauge, because you'd have to have enough sample audiences to eliminate any possible bias caused by one simply being "better"than another, the performers would have to be of the same calibre (but I think this is easily dealt with by using the same performer) and then you'd have the hardest part of it: how do you gauge the effect of a performance? It is not purely how much applause the person gets. Mentalism often gets a more muted initial response, but "gets to" people more strongly.
Unfortunately, anecdotal stories of how one person assumed assumed that doing an ACR means you might read Tarot cards only tell us that some people think that way. There will be people who think you can really read minds, even if you did the linking rings just before it.
If you could do routine A, which gets great reactions from 80% of the audience (and good for the rest), you might be happy. Would you be quite so happy, however, if you knew that routine B would have got a 95% great reaction?
Don't think I am saying that you can't mix the two successfully. Sometimes it works extremely well (I did a routine for someone's wedding that involved a magic trick, mind reading and another magic trick, in that order) and I know that she found the mind reading bit unsettling. The magic tricks that bookended the mentalism were there because I wanted to establish a theme. The mentalism was really there to break things up, make the bride think romantic thoughts, and to help conceal some of the dirty work for the final trick.
If it suits that act/performer/circumstances, the mixture is fine. I just think you have to be careful not to assume that good responses necessarily means you are doing the best you can.
Terry, in your example, I am not sure you're really mixing the two anyway. How is the card selection thing supposed to work? It doesn't really strike me as terribly magical at all. It's closer to a demonstration of luck or perhaps influence over the participant's choices; it's not like you've made the cards suddenly change to ones of a different value. I think the two elements sound fine together.