I remember when he still went by Phil... (does that show my age at all?) and "Max" was just an idea he was in the process of creating.
Firstly, he's quite literally a genius... I'm not referring to his accomplishments in life, but in the literal MENSA sense of things, he's waaaay above average and suffered the dredges of being a child prodige as an end result. He does have a photographic memory that's well over 90% accurate in recall and he reads dozens of books a week... not little booklets but major analytical essay type tomes, novels, etc. I know he's mastered at least two lanugages outside of English and heard rumor that he actually speaks over five fluently.
Believe it or not, Max is actually "shy" hence the facade of being a domoneering or even arrogant individual at times. Contrary to his image however, I do know that Max actually has a heart (albeit, black) and is heavily inspired by individuals that apply themselves in a deliberate and disciplined manner in their craft whether it's magic, handiwork or whatever... he admires and respects passion, skill and talent. He loathes wasting his time with the wannabe that simply wants to learn a new trick or pump him for information or simply suck up to him. If you want to impress him, be your own person and stand up for who you are and what you do in an intelligent manner and you'll win.
Though I've been seriously blown away by his work upon more than one ocassion during my days at the Castle, I've not been much of a fan when it comes to his material. That's not so say that it isn't good, only that it does not fit the style of presentation I tend to hold to... it's not for me. Nonetheless, his philosophy and approach to Mentalism is, in my opinion, one of the key examples of what helped drag this craft into its current sense of popularity. Max installed the idea of Production Value into his Mentalism shows and to my knowledge, was one of the first to do so. As such, he raised the bar, so to speak, as to what both the public and promoters expected from such a program; taking mentalism out of "the cheap" (which is one reason why so many get into it in the first place) and into the standing of being an actual production art -- THEATER.
Our industry owes a great deal to Max and his unique way of looking at things
