by seige » Feb 9th, '06, 10:21
The most angle proof sleight I can think of is a DL.
However, it's a good idea to learn any sleight's weak spots, and control your audience to a specific field of vision.
For instance—some sleights are best performed sat down, some work better when you're sat in a corner, some work with a table...
A lot of VERY angle specific stuff can also be covered by getting CLOSER to the spectator, odd as it sounds... when a spectator is looking DOWN at your hands, it can sometimes be a great vantage point (a classic pass, for example, looks very clean from above).