stephenmagic wrote:Mandrake wrote:Ye gods and little fishes! That site takes C.U.P.S. to a whole new level

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Oh no my friend! if you want serious CUPS then there is only one place to visit. The site is a bit big so allow some time
http://www.tilfordillusions.com/ for real CUPS

Do bear in mind that Doug Tilford is known throughout the industry as one of the biggest THIEVES out there. He markets a wide range of "cutting edge" illusions that he does not have the rights to. Including INTERLUDE and a version of the ORIGAMI BOX amongst others.
If you want to buy an illusion you owe it to yourself to go to the reputable dealers/builders like Bill Smith, John Gaughan, Owens, etc. You may pay more up-front but you will have a quality prop that is safe, that's going to last, and holds its resale value.
INTERLUDE is a pain to build and a bit more of a pain to stage properly, I do not recommend it as a "first" illusion to anyone. Even the Disembodied has drawbacks when it comes to this role. You are better off looking at a Sawing or Zig Zag or even a Mismade.
Another thing to consider is to buy your illusions used. Right now there is a serious buyer's market on such things in that big Illusions have kind of fallen out of favor e.g. they are going for far lower prices than they've seen in a very long time (especially "used"). You can find decent quality props of this type at MagicAuction.com
As one that's done the building and design thing, I'll tell you up front that you need to start small and simple before jumping in one something with lots of moving pieces like a Zig Zag. One Harbin bit that's similar (huge) but easily made and loads of fun to present, is known as LITTLE BY LITTLE.
You want to get your hands all all the illusion buidler books you can get your hands on, the Osborne books being some of the best for a beginner but the Rand Woodbury and Stinemeyer books are also solid resources.
Once you get your prop built you are faced with the issue of finishes. It's not just a matter of slapping paint on the thing. The kind of materials you use on a prop can add to or take away from its deceptive design. Certain finishes are used to help exploit stage shadow so that the "base" (typically) looks much smaller than it really is. The size of the base also adds to deception, along with your sets and lighting.
Big illusions require a plethora of education many fail to consider. It is a very technical field for those that are serious about moving in this direction.
Best of luck in your adventure
