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TylerD wrote:I can do the spread cull pretty much to perfection, but I never use it. I find there is so many better ways to get a card to the bottom or top, but it is useful in some tricks I guess.
pdjamez wrote:TylerD wrote:I can do the spread cull pretty much to perfection, but I never use it. I find there is so many better ways to get a card to the bottom or top, but it is useful in some tricks I guess.
Although less than relevant to the statement I made, I'm sure we'd all like to know your own preferred methods.
pdjamez wrote:Tyler, the various culls are for setting up decks, under the audiences nose. You could use them as a control, but it isn't often that they're used in this context. There are a number of of great culling techniques, but for my money the spread cull is the most natural.
katrielalex wrote:pdjamez wrote:Tyler, the various culls are for setting up decks, under the audiences nose. You could use them as a control, but it isn't often that they're used in this context. There are a number of of great culling techniques, but for my money the spread cull is the most natural.
No?
I use the spread cull as a force quite a lot, and as well as that it is my current favourite control, simply because there is nothing to see. With a pass there needs to be misdirection or a little movement of the deck, shuffles need shufflesbut a spread cull just looks like the card is replaced straight into the deck.
Kati
Farlsborough wrote:Can anyone suggest any good books/DVDs on culling technique?
ohminku wrote:If you are REALLY good with spread culling, you could set-up OOTW right under the spec's eyes- someday.. someday...
Also, unnaturalness of the spreadcull force- I usually avoid the "unnaturalness" by starting the maneuver while I talk to the spec and then ask them to point to a card so the cards are already a bit spread. I really think this is one of the fairest looking forces aside from the classic.
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