stephenmagic wrote:Let me tell you a story JJ. Many years ago in America there was a young boy who loved the magic he saw at parties and on television. He purchased a book called the 'Royal Road to card magic' and The Bobo book. He spent many a day studying and practising this material. The young boy's name was
LANCE BURTON. I think i have made my point. Thanks for the support all, it means a lot

Hey, I saw that pimple-faced hillbilly at Tombstone Junction when he was still working for minimum wage
There are few that "make it" that didn't EARN IT.
Siegfred & Roy used to sleep in an old stationwagon on the back end of the old MGM Grand Hotel-Casion parking lot with two cats, because they couldn't afford a home and half the time, they couldn't afford food for themselves. Sure, they were in a revue show in Vegas (making a whooping $700.00 a week for the two of them)... it took years of discipline, determination, and giving back to the community before they even thought they'd see the light of day.
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Doug Henning was seen as a buck-toothed hippie that would get nowhere for years (but he impressed Vernon, almost from the start). Yet, Doug had his dark days as has Kevin James, Franz Harary and just about everyone else out there. WE ALL STARTED SOMEWHERE and a few of us (like yours truely) had to start over due to medical issues (brain damage and lost memories... I couldn't even remember effects I'd created)... what allowed me to not just bounce back but go beyond where I'd ever imagined possible was when Milt Larsen asked me to help out with a vandalism problem in the Magic Castle Library... that was the start of my real education in this business and it was coupled with a few other jobs working with the likes of Abb Dickson/Harry Blackstone and my mentor Kirk Kirkham... and I do mean WORK... long, grueling hours and serious back-breaking labor (in that big illusions are VERY heavy!)
If you really want to "make it" and not "fake it" JJ, stop looking for the easy way out or ways to be a show off and actually apply yourself in learning how to "perform" and more importantly KNOW YOUR ART.
