by mark lewis » Dec 16th, '10, 14:30
Here we are:
I’ve known Mark Lewis for over twelve years now. I first met him
as a quiet, shy, fourteen-year-old who’d fallen in love with magic
(I’m neither quiet nor shy any more, according to Mark). I’m glad
to say we became friends. I’ve worked for Mark in a variety of environments, from pitching Svengali packs, to working his booth at
a Psychic Fair, to assisting him on stage during his hypnosis show.
I’ve gained a lot of confidence and experience working for Mark.
His knowledge of magic and things related is immense. I don’t
know what he saw in me, but I’m glad he saw it. His patience and
advice over the years have always been helpful and appreciated.
We all have memories from when we first began taking magic seriously.
One of the most vivid memories I have is thanks to Mark. I
was fifteen, and I’d just written an essay on magic. It was written
in response to various professionals telling me that the most important
part of one’s performance was for the audience to be entertained.
Of course, I noticed this approach was often being espoused
by the pros who were somewhat lacking in technical ability
(these same pros would often also wholly discount the need for
technical wizardry). Being a move-monkey at the time, I was sceptical
of this viewpoint and decided to think more about it. My essay
ended up suggesting that there wasn’t any ‘one thing’ that was
most important. Rather, technical ability, a sense of mystery, and
entertainment value were all equally important. You needed to
have chops, you needed to fool them, and you needed to entertain
them for there to be magic.
I shared my essay with a few people around The Browser’s Den
of Magic (the local magic shop where I first met Mark) including
Mark. After reading the paper, Mark asked me to sit down at the
table. He told me he enjoyed the essay. He told me he thought it
was good. He pointed out a few grammatical errors I had made
(Mark prides himself on his ‘British Education’). Then he took out
a pen. He turned the essay over, and on the back he wrote something,
something which I’ve never forgotten.
He wrote the word TRICKS and then 1% next to it. Underneath the word TRICKS he wrote YOU and then 99% next to it. He explained to me that the most important part of your performance is YOU. Everything else
is secondary, and everything else stems from you, who you are.
That moment Mark gave me something important, something
which has changed the way I approach magic, and something I
will have for the rest of my life.
Mark, thank you.
—Jeff Hinchliffe