
I've gone through all this thread but lightly... especially given His Holiness Mark Lewis' typical ploy of claiming expert status on something he merely dabbles in from time to time vs. working in full time (the only full-time job Mark has is that of being a Hustler... the proverbial man behind the curtain in the land of Oz, et al)... Mark is what Jonathan Royal hopes to grow up to become
Now, don't get me wrong, I do admire the good reverend Lewis. He really does know quite a bit but like some people I know (

) He has an opinion on things and holds to it muck as a rusted steel trap would retain one's leg. So please, take what you hear at times with the essence of a small Ukranian Salt Mine... dig into the archieves of life that deal with the topic in question and study either side of the issue. Somewhere in between the extremes you will find the truth... well, your version of the truth at least, as it pertains to the subject in question.
As to Hypnosis... I am presently reading a book entitled
The Bush Factor and though it is filled with classic expressions of personal ego given forth by the author, it is likewise filled with some very interesting points of view that come from a 30+ year career working as an Erickson based hypnotherapist and stage performer (a full-time position vs. part-time "this is the in thing to do right now" interest).
Before Richard asked me to review the book he warned me that it was thick (very heady material) and required one to take their time... this was an understatement! The book deals with simple "known" concepts such as the finger vice, hand-clamp, glued eyelids, etc. but brings you away from the classic domination position so often exploited by the entertainer and lends to you what Richard refers to as being a "Hypnotic Relationship"... the end results are pure beauty along side a sort of intrigue on the part of your participant(s) that goes beyond typical "mentalism" or "suggestion styled" performance.
THIS BOOK IS NOT FOR EVERYONE and it most certainly is not for the novice or curious. Though it has effects in it, it isn't filled with tricks (if you know what I mean). This is the follow-up text to Richard's
DESTINY RESPONSE should you be familiar with it.
I bring this up, not so much as to plug Richard's book as to point out that there are many different ways of approaching the whole hypnosis thing and quite frankly, most everyone that's ever done such an act on stage has done so in a horrible manner that is insulting to their participants as well as our craft. For no other reason I recommend more than on-going FORMAL study in this field but likewise a call or "challenge" to all interested in this work, to step outside the mold that's defined the stage hypnotist since the time of Mesmer himself.
One of the most brilliant demonstrations I've ever read and actually used is Orville Meyer's
TELEPATHY IN ACTION, it is something I highly recommend everyone interested in this kind of thing to study, recognizing of course that one must have balls of steel to actually step onto a stage and execute such a classic. But damn is it ever a great act and it goes so far beyond the typical hyp show.
Take your time and LEARN your craft, then define your programs to fit who you are vs. what the current buzz is or what the image has been for over a hundred years... GROW!
