by seige » Mar 5th, '04, 12:16
Card magic is an artform, and if you are serious, it should be studied as such.
I think it matters not in which order you learn these sleights and utilities, but what is important is that you first learn the concept of performance.
There is no real easy way to build up enough confidence to perform, but when displaying such difficult moves such as the Elmsley to the audience for the first time, you will feel obviously a little nervous that you're doing it right... and this is where my 'Learn the UnSleights First' reasoning comes into play....
Seige's 'Learn the UnSleights First' reasoning
What's an UnSleight? To me, it is how the 'move' SHOULD look if there are no sleights involved. Reverse-engineering the sleights is a fundamental way of understanding them.
So, how do we 'UnSleight' the Elmsley?
Well, break it down into what is actually going on... (in this case, four jokers)
1. You have four cards in your hand, all of which are Jokers
2. You count the cards one at a time, showing each joker in turn
3. You hold all four in your left hand, and take one card at a time with your right hand
4. Repeat this move until all cards are transferred from left hand to right hand
So, what's the difficulty in that?
Please, do this a few times. This is the move that the Elmsley emulates. That's all you're trying to show.
Performed fluidly, this is exactly how the EC should look.
Now, simply turn over the 3rd card from the top, and try to mimic what you've just done, but using an EC. It's easy!
This 'UnSleightly' approach works with many great sleights. For instance, I used to be scared of such moves as circulation shuffles etc. - where I felt that they were far too obvious. But, done with honesty and practice, this now looks exactly like an overhand shuffle - because I now try to 'Emulate' an overhand shuffle, rather than concentrate on the move itself.
Hope this helps?!?!?