S. Lea wrote:Coaching is standard, people sent on talk shows to plug something, have the answer down pat.... A literary agent friend of my assures me that all his authors are coached in exactly what to say, how to say it and how to bring their book into the answer.
That's a rarity, in my experience. The publicist might often make a point of hassling the producer to ensure that the host has a copy of the book and will display it, but author coaching isn't 'standard', I don't think: you're just left to get on with it. I've only heard of one author being giving proper 'lessons', and I've personally certainly never had anything beyond a hissed, 'Remember to mention your book at some point this time, you idiot,' as I walked to some sofa or other. I mention all of that only because authors
should probably get coaching - there's no reason someone who writes for a living should be expected to be able to speak. But they generally aren't. So, I don't think we can be too harsh on Dynamo's management - when his job
is performing - for not having him in a special preparing booth for two days beforehand.
Anyway - eerily - I actually agree with a lot of what Copyright said. Dynamo was nervous and it was a less than great performance from him, but he was never going to have much of a chance. How often on this forum do we talk about the magic being in the presentation and the atmos you create? Well, it's uphill to do that when you're in another room and Woss says, 'Right. Do a trick now.' - and you're cramped between people, performing to a camera, and you have about seven seconds. (Oh, and you've been given a roll-of-the-eyes sarky, 'This is obviously what I want on the show,' introduction just moments previously.) If there's a criticism to be made there, it's that Dynamo should probably have said, 'No.'
I find Woss very watchable, and he can sometimes drag along an interview with someone who's terrible by practically doing all the talking himself. The downside of that is, of course, that he never shuts up. For comparison, I recall seeing a clip of Ammar on (I think) Letterman - doing the Bill Switch. Here's the thing: Letterman
lets him get on with it. He makes one of two comments, but basically Ammar gets to perform it exactly how he always does, and at exactly his own pace.
Recently I saw a magician do a trick on the local news magazine programme. He did that ACR/Glass Deck effect. He was a seasoned performer and executed the thing very well. But the reaction was still sort of, 'Tss. Well, fancy that. Now, Louise with the weather...' because he had to rush it, the you're never going to have the hosts' full attention because it's split between you, the autocue and their earpieces. In fact, I recall seeing Derren Brown on a chat type show too. He did (Show us something, Brown) a nice little thing with Zener cards. But even then - with
his nous and performing ability/care - you didn't remotely get the usual This Man Was Born To Prickle Hairs feeling; just, 'Oh. Derren's done a card trick.'
I think what I'm trying to say is that magicians should probably not go on chat-style TV shows at all, ever, unless it's Letterman. (Hmmm... isn't Letterman a bit of a magic hobbyist himself? Maybe that's it: only go on shows where the host knows a bit about, and loves, magic.)