Best Reactions

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Re: Best Reactions

Postby hds02115 » Oct 19th, '11, 20:34



sleightlycrazy wrote:If I may, Anthony, I'd like to add to the opposition to excessive use of trick decks. My main issue with most magicians who use trick decks is the utter lack of art in it. Eric Mead recently pi**ed off many magicians by publicly calling hack magicians hacks. If you do magic that is unoriginal (e.g. tricks learned verbatim through books or DVDs) and present them the exact same way as every other magician (adding a cheesy line or two doesn't count) you are not an artist. And when people use trick decks, it's usually because they are sold as a "quick and easy" way to become the life of the party. Not. Art.

Granted, some trick decks allow for more creativity and artistic use than others; Mark Lewis and Andy Nyman use the svengali deck in a way that is creative and original. Nyman and Derren Brown have used silly trick decks like forcing decks or rough and smooth to devastatingly subtle effect. BUT, they are exceptions, not the rule. 99% of magicians who use trick decks use lame patter and go through one of several cookie-cutter ID presentations. The ID, as effective as it is, is veritably antithetical to art in magic. It's strong, it's impressive, and it amazes laypeople. But it isn't art. And I think that's what bugs some magicians about it and trick decks in general.

So it's not the method vs. presentation that is the issue. I doubt anyone will really argue that method sans good presentation is the way to go...


I'm confused, you say you want to add to the opposition but what you're saying is what I would agree with. I think either I'm misunderstanding how you started this post or you've not read my posts correctly. Either way, I'm not going to talk much more about this as I'd rather not disrupt this thread further.

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Re: Best Reactions

Postby Rob » Oct 19th, '11, 20:36

Eermm... yes....

We seem to have wandered off topic - maybe you guys could start a thread to discuss these other issues?

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Re: Best Reactions

Postby sleightlycrazy » Oct 19th, '11, 20:45

I meant opposition to the consensus that trick decks are a-ok. Anyway, I was veering back on track with the post about what gets strong reactions. Talking in detail about such things is more productive than simply listing off all the best reactions we've gotten to a different list of our favorite tricks.

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Re: Best Reactions

Postby Alfred Borden » Oct 20th, '11, 17:23

magicrob wrote:Eermm... yes....

We seem to have wandered off topic - maybe you guys could start a thread to discuss these other issues?


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Re: Best Reactions

Postby Tjex1 » Oct 20th, '11, 17:34

This thread (because it has wandered off topic) has actually become very intresting...

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Re: Best Reactions

Postby Tjex1 » Oct 20th, '11, 17:40

hds02115 wrote:
sleightlycrazy wrote:If I may, Anthony, I'd like to add to the opposition to excessive use of trick decks. My main issue with most magicians who use trick decks is the utter lack of art in it. Eric Mead recently pi**ed off many magicians by publicly calling hack magicians hacks. If you do magic that is unoriginal (e.g. tricks learned verbatim through books or DVDs) and present them the exact same way as every other magician (adding a cheesy line or two doesn't count) you are not an artist. And when people use trick decks, it's usually because they are sold as a "quick and easy" way to become the life of the party. Not. Art.

Granted, some trick decks allow for more creativity and artistic use than others; Mark Lewis and Andy Nyman use the svengali deck in a way that is creative and original. Nyman and Derren Brown have used silly trick decks like forcing decks or rough and smooth to devastatingly subtle effect. BUT, they are exceptions, not the rule. 99% of magicians who use trick decks use lame patter and go through one of several cookie-cutter ID presentations. The ID, as effective as it is, is veritably antithetical to art in magic. It's strong, it's impressive, and it amazes laypeople. But it isn't art. And I think that's what bugs some magicians about it and trick decks in general.

So it's not the method vs. presentation that is the issue. I doubt anyone will really argue that method sans good presentation is the way to go...


I'm confused, you say you want to add to the opposition but what you're saying is what I would agree with. I think either I'm misunderstanding how you started this post or you've not read my posts correctly. Either way, I'm not going to talk much more about this as I'd rather not disrupt this thread further.


So does this mean that if you devise a 10 minute routine (not a boring, unoriginal one) based around an ID, it would be considered more of an art? If it were a stage routine? Is it possible? Just a couple of questions I have been pondering recently

I do now have to admit that I guess I have slightly lacked in imagination in the ID... :( Although I do try to use as much original patter as possible.

I find that once you have a few effects down you can then start getting more imaginative. Turning simple card "tricks" into a proper art.

Tjex

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Re: Best Reactions

Postby Flood » Oct 20th, '11, 19:29

It's never really gone off Conversation always evolves the way it has and we were still on topic about gaff decks

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Re: Best Reactions

Postby sleightlycrazy » Oct 20th, '11, 19:54

This is a very simplistic requirement for art and is probably one of many that are neither sufficient nor necessary, but one I feel helps me define it: if your audience learns something about you from your presentation-- not the person whose video/book you learned the trick from--then it's closer to being art. In my street show, I make it explicit that I hate con men and the hustlers who work around me. It's clear that I like subtle jokes that fly over everyone but one or two people, and that I dig it when they get the joke. They learn about my cynicism, caution, and playfulness. All this without detracting from the magic effect. It's far from perfect, but it's a start. And you're on your way too by considering how your presentation affects people's perception of you.

Now, Tjex1, a couple comments about your train of thought. Boring and unoriginal don't necessarily go hand in hand. Many presentations we are allowed to copy from videos and books are very entertaining and funny. You can have a wonderful, funny, magical show with such lifted presentations. It just wouldn't be art. The amount of time the routine takes and the size of the venue are factors, but not defining factors. Tommy Wonder wrote something along the lines of art in magic being having a clear, vivid vision and working toward making that vision reality. Along the way, factors such as time, size of audience, etc. work themselves out.

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Re: Best Reactions

Postby Tjex1 » Oct 20th, '11, 21:24

I am relativley new to magic, so my opinions are based upon what I have gathered within the last 4 or 5 months. I have yet to delve furthur than card magic, and to be honest, it is just nice to be able to discuss magic here with people with more experience, so please bear this in mind when reading my opinions.

I have just started to delveop my own magical ideas and now have 2 decent effects with an ID and a card to hand (copied of someone else, entirely original patter), but the main thing I have considered is how entertaining my effects are. I think I really need to go over everything I have done and refresh it, because to be honest, alot of it is quite dull. Although I do get good reactions, everything seems a bit dry...

Anyway, thanks for all the advice given, it has inspired me to look at what I am doing more from the audiences perspective.

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Re: Best Reactions

Postby Ste Porterfield » Oct 21st, '11, 01:47

I don't think you could develop a 15-20 minute routine around an iD.

At most, you're looking at 1 minute as an out or as a good mentalism piece.

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Re: Best Reactions

Postby Ste Porterfield » Oct 21st, '11, 01:49

Actually, you said 10 min routine with the ID. It could be done with the righgt audience handling, i.e., a spec spending nine minutes playing with an ID and then the last minute being the reveal. Wayne Dobson does a great ID routine (with a different ending) which is on youtube and probably lasts that length of time.

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Re: Best Reactions

Postby Ste Porterfield » Oct 21st, '11, 01:52

Sorry for the multiple replies but:

Wayne Dobson, 5 mins: http://www.youtube.com/watch?v=CPX37l1vNWM

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Re: Best Reactions

Postby Tjex1 » Oct 21st, '11, 08:37

I was thinking a long selection process involving various different envelopes to emphasise an impossible outcome. You could even use a method like that to force a card, which through a long selection process gets you to the same card. Could be very deceptive...

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